Minggu, 15 April 2012

A Good Old Fashioned Orgy Poster - Movie Promo Flyer - 11 X 17 Beach

  • Flyer to advertise the movie A Good Old Fashioned Orgy
  • A Good Old Fashioned Orgy movie promo flyer
  • Size 11 x 17 inches approx (28 x 43 cm)
  • Window display/ Telephone Pole Flyer sized Poster
Jason Sudeikis is Eric, a thirty-something party animal famous among his close circle of friends for his lavish summer theme parties at his father's swanky Hamptons pad. But when members of the crew start settling down, and Eric's dad announces plans to sell the beach house, Eric decides it's time for one last bash to go out with a proverbial bang-a good old-fashioned orgy. The only obstacles to overcome are actually convincing each of his reluctant friends to join in on the festivities, and an inconveniently blossoming romance with the real estate agent threatening to sell the house out from under him before the main event can even take place.A gaggle of best friends from college de! cide to get even more intimate in A Good Old Fashioned Orgy. Eric (Jason Sudeikis, Horrible Bosses) throws notoriously loud, over-the-top parties at his father's beach house--so when his father decides to sell it, Eric feels he has to throw one last bash to say farewell. But this time, rather than a big public party, he and his friends (Lake Bell, Michelle Borth, Nick Kroll, Tyler Labine, Angela Sarafyan, Lindsay Sloane, and Martin Starr) decide to revive the 1970s with a private orgy. The movie harks back to raunchy 1980s R-rated comedies, but A Good Old Fashioned Orgy never finds its tone. Eric and his friends are self-absorbed, dithering, and just not very interesting people; Eric, in particular, is a smarmy trust fund baby whose attraction to a lithe real-estate agent (Leslie Bibb, Popular) plays out like an adolescent crush… which would be charming if Eric were adolescent, but he's in his 30s. Maybe the idea is that this petty crew confron! t their emotional limitations when they try to be sexually adv! enturous , but the results are neither revelatory nor even surprising. It doesn't help that the guys are ordinary looking to outright schlubby, while the women are all model-thin (and yet, of course, neurotic about their attractiveness). Some flashes of humor here and there, but overall, a misfire. --Bret FetzerFrom the subversive to the antic, the uproarious to the disturbing, the stories of Bruce Sterling are restless, energy-filled journeys through a world running on empty--the visionary work of one of our most imaginative and insightful modern writers.

They live as strangers in strange lands. In worlds that have fallen--or should have. They wage battles in wars already lost and become heroes--and sometimes martyrs--in their last-ditch efforts to preserve the dignity and individuality of humanity.

A hack Indian filmmaker takes the pulse of a wounded and declining civilization--21st-century Britain. A pair of swashbuckling Silicon Valley entrepreneurs join forc! es to make a commercial killing--in organic underground slime and computer-generated jellyfish. A man in a Japanese city takes orders from a talking cat while pursuing a drama of danger and adventure that has become the very essence of his life.

From "The Littlest Jackal", a darkly hilarious thriller of mercs and gunrunners set in Finland, to a stark vision of a post-atomic netherworld in his haunting tale "Taklamakan", Bruce Sterling once again breaks boundaries, breaks icons, and breaks rules to unleash the most dangerously provocative and intelligent science fiction being written today.A Good Old-fashioned Future is a paperback collection of seven short stories by former cyberpunk guru turned sociocultural prognosticator Bruce Sterling. Most of the works here come with impressive pedigrees, ranging from a Hugo Award for "Bicycle Repairman" to Hugo nominations for "Maneki Neko" and "Taklamakan." Another piece, "Big Jelly," was cowritten by Sterling's f! ellow cyberpunk alum, Rudy Rucker.

These stories have a lot! in com mon. They all take place in the near future, and most are action-oriented, involving colorful characters such as secret agents, Silicon Valley entrepreneurs, Mafioso's, and revolutionaries. But they are also personal tales that tend to focus on individuals rather than ideas, which makes them hit home more often than standard SF fare. The best of the bunch is probably "Taklamakan," a high-concept piece about two freelance spies sent to a central Asian desert called Taklamakan, where the Asian Sphere is doing some sort of secret research into space flight. "Bicycle Repairman" is set in the same world, but instead of in an Asian desert it takes place in Chattanooga, Tennessee, and the spies in this story aren't the good guys. It's a less successful piece than "Taklamakan" but also a good read.

Not all of the stories in this collection have the edgy, this-is-what-tomorrow-will-be-like quality that typifies Sterling's best work. But even when Sterling isn't at hi! s best he's entertaining, and A Good Old-Fashioned Future is certainly that. --Craig E. EnglerA Good Old Fashioned Orgy movie promo flyer

Minggu, 25 Maret 2012

Hall Pass

  • Condition: New
  • Format: DVD
  • AC-3; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC
The funniest business trip of all time gets even crazier with the Super-Awesome Edition of Cedar Rapids â€" more hysterical footage, more outrageous shenanigans and more two-diamond fun!

Ed Helms (The Hangover 1 & 2) and John C. Reilly (Step Brothers) lead an all-star cast in the comedy that shows what can happen...when insurance agents go wild! Shy and naive Tim Lippe (Helms) ventures to the “big city” of Cedar Rapids for a convention and ends up crossing paths with the ultimate party animal (Reilly). Before long, Tim is crashing parties, skinny-dipping in the hotel pool and being seduced by a sexy soccer mom. And if Tim can survive the weekend, he might just change his life forever!When a naive, small-town insurance agent named Tim Lippe (Ed Helms, The Hangover) ! goes to a convention in the big city of Cedar Rapids, Iowa, his life gets turned inside out under the influence of three convention veterans. This sort of fish-out-of-water comedy could have been a flimsy excuse for broad slapstick and absurd high jinks; instead, in the confident hands of director Miguel Arteta (The Good Girl, Chuck & Buck), Cedar Rapids becomes something more humane and, in a quiet way, more ambitious. Helms manages to make Tim genuine, a man-child but not a cartoon; the movie's situations skirt wackiness, yet always remain in the realm of something emotionally real. (The movie also reflects the influence of producers Alexander Payne and Jim Taylor, who created the similarly character-rich movies Sideways, Almost Schmidt, and Election.) The whole cast hits the right notes, from such familiar faces as John C. Reilly (Magnolia, Talladega Nights), Anne Heche, and Sigourney Weaver to such stealthy characte! r actors as Stephen Root (NewsRadio), Rob Corddry (Hot Tu b Time Machine), Isiah Whitlock Jr. (The Wire), and Alia Shawkat (Arrested Development). Cedar Rapids is sweet without being cloying, funny without being manic, and even a little sad at times, without ever turning up the violins on the soundtrack. It's an honest movie, and there are all too few of them out there. --Bret FetzerThe funniest business trip of all time gets even crazier with the Super-Awesome Edition of Cedar Rapids â€" more hysterical footage, more outrageous shenanigans and more two-diamond fun!

Ed Helms (The Hangover 1 & 2) and John C. Reilly (Step Brothers) lead an all-star cast in the comedy that shows what can happen...when insurance agents go wild! Shy and naive Tim Lippe (Helms) ventures to the “big city” of Cedar Rapids for a convention and ends up crossing paths with the ultimate party animal (Reilly). Before long, Tim is crashing parties, skinny-dipping in the hotel pool and! being seduced by a sexy soccer mom. And if Tim can survive the weekend, he might just change his life forever!When a naive, small-town insurance agent named Tim Lippe (Ed Helms, The Hangover) goes to a convention in the big city of Cedar Rapids, Iowa, his life gets turned inside out under the influence of three convention veterans. This sort of fish-out-of-water comedy could have been a flimsy excuse for broad slapstick and absurd high jinks; instead, in the confident hands of director Miguel Arteta (The Good Girl, Chuck & Buck), Cedar Rapids becomes something more humane and, in a quiet way, more ambitious. Helms manages to make Tim genuine, a man-child but not a cartoon; the movie's situations skirt wackiness, yet always remain in the realm of something emotionally real. (The movie also reflects the influence of producers Alexander Payne and Jim Taylor, who created the similarly character-rich movies Sideways, Almost Schmidt, and Election.) The whole cast hits the right notes, from such familiar f! aces as John C. Reilly (Magnolia, Talladega Nights), Anne Heche, and Sigourney Weaver to such stealthy character actors as Stephen Root (NewsRadio), Rob Corddry (Hot Tub Time Machine), Isiah Whitlock Jr. (The Wire), and Alia Shawkat (Arrested Development). Cedar Rapids is sweet without being cloying, funny without being manic, and even a little sad at times, without ever turning up the violins on the soundtrack. It's an honest movie, and there are all too few of them out there. --Bret FetzerPeter and Bobby Farrelly ("There's Something About Mary") direct this uproarious comedy about Rick and Fred, two best friends who are feeling restless in their respective marriages. After their wives decide to give them one week in which they can cheat and cavort with other women, no questions asked, the pals discover how complicated extramarital relations can be. Owen Wilson, Jason Sudeikis, Jenna Fischer, and Christina Applegate star. 105 min. Wi! descreen (Enhanced); Soundtracks: English Dolby Digital 5.1, French Dolby Digital 5.1, Spanish Dolby Digital 5.1; Subtitles: English (SDH), French, Spanish; deleted scene.Anyone familiar with the work of writer-directors Bobby and Peter Farrelly, especially There's Something About Mary, will be neither surprised nor shocked by the raunchy, gross-out gags that permeate Hall Pass. But what Farrelly fans might not expect is what comes at the other end of the spectrum--namely, a tender, even sentimental point of view in which marriage is sanctified and even a couple of delusional doofuses end up on the right side of righteousness. Buddies Rick (Owen Wilson) and Fred (Jason Sudeikis) have attractive, loving wives (Maggie and Grace, played by Jenna Fischer and Christina Applegate, respectively) and, in Rick's case, a couple of cute kids. But boys will be boys, and after catching their husbands eyeing other women's butts, making rude remarks in front of friends, and ! so on, the ladies decide to offer them "hall passes"--an entir! e week d uring which they can pretend they're not married and do whatever they want, no questions asked, while the wives head for Cape Cod. Rick, for one, is nonplussed; here is a decent guy who refuses to buy beer for his underage babysitter (not to mention resisting her flirtatious come-ons) and generally tries to do the right thing, and he suspects there's more than meets the ear to Maggie's offer (Fred, on the other hand, expects to spend the week scoring young hotties with lines like "You must be from Ireland, 'cos when I look at you my penis is Dublin"). But while Maggie and Grace find themselves courted by some studly minor-league baseball dudes, Rick and Fred mostly just strike out. Their shenanigans are accompanied by a parade of typically sophomoric Farrelly gags: penis jokes (and a couple of real penises), masturbation jokes, scatological jokes, "I'm so stoned" marijuana jokes, and sexual terms (like "eye banging" and "fake chow") that can't be explained on a family websit! e. Some of this is funny, most merely dumb; some viewers will think the humor goes too far, others not far enough. But the overriding impression is that a decade or more past their biggest hits, the Farrellys, who are now in their 50s, have grown up--at least a little. --Sam Graham

Minggu, 11 Maret 2012

Facing the Giants

Rabu, 29 Februari 2012

House of Sand and Fog

  • Condition: New
  • Format: DVD
  • AC-3; Anamorphic; Closed-captioned; Color; Dolby; DTS Surround Sound; Dubbed; DVD; Subtitled; Widesc
Filmed entirely on the magnificent, sandy coast of northern Brazil, Áurea's saga begins in 1910, in Maranhão, where her fanatical husband has relocated his family to start a farm. Desperate and pregnant, Áurea (Fernanda Torres) longs to return to the city, but cannot traverse the dunes with her aging mother, Maria (Fernanda Montenegro) in tow. When calamity strikes, the two women find themselves stranded. Eventually, they settle among the shifting sands and Áurea finds peace. But her passionate daughter, Maria, longs to explore the world beyond the dunes. This profound portrait of passing generations has established Andrucha Waddington as one of the most exciting directors in Brazil today.The landscape looks like the surface of the moon. Set in Br! azil's Maranhão desert, House of Sand follows three generations of women, from 1910 to 1969, as they eke out a living from this hostile environment. Oafish Vasco (director Ruy Guerra) brings pregnant wife Áurea (Fernanda Torres) and her mother, Dona Maria (Fernanda Montenegro, Central Station), from the city to make a new start. Shortly after they arrive, fate takes him out of the picture. Mother and daughter muddle through with the help of slave descendents. Wary at first, Massu (Seu Jorge, City of God) takes a particular shine to the duo. The story then skips ahead to 1919, when an escape route materializes. There will be two more shifts in time. By 1942, Áurea's daughter, Maria (Torres), has grown into impetuous womanhood, while Áurea (Montenegro) and Massu (Luiz Melodia) have settled into middle age. In the final section, set during the year of the first lunar landing, Áurea (Montenegro) is around the same age as her mother at the start of the ! film. With the exception of Camilla Facundes as nine-year-old ! Maria, T orres and her real-life mother assume every female role. What does it all mean? Andrucha Waddington (Me You Them) doesn't burden his enigmatic epic with a singular message, but those who appreciate dust-swept dramas like Woman in the Dunes and Walkabout aren't likely to hold it against him. The point seems to be that the human--especially the female--capacity for survival knows no bounds. --Kathleen C. Fennessy

Stills from House of Sand (click for larger image)



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Academy Award winners Ben Kingsley (Gandhi) and Jennifer Connelly (A Beautiful Mind) deliver stunning performances as two strangers whose conflicting pursuits of the American Dream lead to a fight for their hopes at any cost. What begins as a struggle over a rundown bungalow spirals into a clash that propels everyone involved toward a shocking resolution. "The surprise ending will leave you breathless!" (Clay Smith, Access Hollywood! )Jennifer Connelly followed up her Academy Award for A Beau! tiful Mi nd with this dark but moving story of small mistakes that escalate, with tragic necessity, to disaster. In House of Sand and Fog, Kathy (Connelly) gets evicted from her house for failing to pay a tax she never should have been charged in the first place. The house is swiftly put up for auction and bought by a former military officer from Iran named Behrani (Ben Kingsley, Sexy Beast). When legal efforts fail her, Kathy turns to a sympathetic cop (Ron Eldard, Bastard Out of Carolina), who wants out of a loveless marriage and who's willing to step over legal boundaries if it might give him a fresh start. Topnotch performances by the entire cast make House of Sand and Fog a compelling psychological drama; your sympathies will be pulled in all directions. --Bret Fetzer

Minggu, 12 Februari 2012

Hairspray: Deluxe Edition

  • In 1962 Baltimore, chunky Tracy Turnblad (Nikki Blonsky) dreams big: land a gig on the see-and-be-seen TV teen-scene hit The Corny Collins Show, win the heart of the nicest and cutest boy in school (Zac Efron), and strike a blow for civil rights. And whaddaya know it all comes true! Boppin with all the joy of the long-running, award-winning Broadway musical smash and blazing with sublime star powe
In 1962 Baltimore, chunky Tracy Turnblad (Nikki Blonsky) dreams big: land a gig on the see-and-be-seen TV teen-scene hit The Corny Collins Show, win the heart of the nicest and cutest boy in school (Zac Efron), and strike a blow for civil rights. And whaddaya know â€" it all comes true! Boppin’ with all the joy of the long-running, award-winning Broadway musical smash and blazing with sublime star power (including John Travolta and Christopher Walken as Tracy’s devoted, dance-happy mom and dad),! “Hairspray earns knockout status for its humor, heart and high spirits. …a plus-size bundle of fun” (Peter Travers, Rolling Stone).
It's rare that a movie captures the intensity and excitement of a live Broadway musical production while appealing to a broader movie-going audience, but the 2007 Hairspray is an energetic, powerfully moving film that does just that. A remake of the 1988 musical film Hairspray, the new Hairspray is a film adaptation of the 2002 Broadway musical and features more likeable characters than the original film and an incredible energy that stems from a great cast, fabulous new music, and the influence of musical producer Craig Zadan. What remains constant throughout all three versions of Hairspray is the story's thought-provoking exploration of prejudice and racism. Set in Baltimore in 1962, the film opens with chubby girl Tracy Turnblad (Nikki Blonsky) singing her heart out in a rendition of ! "Good Morning Baltimore" that, while admittedly a bit too long! , sets t he farcical tone for the film. Viewers quickly become immersed in Tracy's teenage world of popular television dance shows, big hair, the stigma of being different, and the first hesitant steps toward racial integration within a segregated world. The Corny Collins (James Marsden) television dance show is a teenage obsession in Tracy's world and Link Larkin (Zac Efron) is every girl's dream partner, so when a call for auditions goes out, Tracy skips school to try out, but is rejected by station manager Velma von Tussle (Michelle Pfeiffer) because of her large size and the threat of competition for Velma's own daughter Amber (Brittany Snow). Perseverance and the support of her friend Penny (Amanda Bynes), father Wilbur (Christopher Walken), and negro dancer Seaweed (Elijah Kelley) lead Tracy to the spotlight and the chance of a lifetime, but more and more Tracy discovers that fairness and equality for those who are different does not come without a fight and that sacrifices mus! t be made to effect change. While the message is serious, Hairspray is first and foremost a comedy with stellar performances by John Travolta as Edna Turnblad (who ever imagined Saturday Night Fever's iconic star would appear onscreen as a woman?), Christopher Walken, and Michelle Pfeiffer. Part of what makes Hairspray so powerful is the exceptional music composed by Marc Shaiman, including songs newly composed for the movie like "Ladies' Choice," "The New Girl in Town," and "Come So Far," and the awesome vocal talents of Queen Latifah (Motormouth Maybelle) and a cast of heretofore musically-unknown actors like Nikki Blonsky, Zac Efron, and Brittany Snow who really can sing. Notable trivia includes Jerry Stiller's appearance in both versions of the film (as Wilbur in the 1988 film and as Mr. Pinky in this 2007 rendition), and a cameo appearance by 1988 director and screenplay writer John Waters. Hairspray is one of the best films of the year--it'! s powerfully moving entertainment that leaves you energized an! d motiva ted to fight for what you believe in. --Tami Horiuchi

Rabu, 25 Januari 2012

Tweak: Growing Up on Methamphetamines

  • ISBN13: 9781416972198
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
What had happened to my beautiful boy? To our family? What did I do wrong? Those are the wrenching questions that haunted every moment of David Sheff’s journey through his son Nic’s addiction to drugs and tentative steps toward recovery. Before Nic Sheff became addicted to crystal meth, he was a charming boy, joyous and funny, a varsity athlete and honor student adored by his two younger siblings. After meth, he was a trembling wraith who lied, stole, and lived on the streets. David Sheff traces the first subtle warning signs: the denial, the 3 A.M. phone calls (is it Nic? the police? the hospital?), the rehabs. His preoccupation with Nic became an addiction in itself, and the obsessive worry ! and stress took a tremendous toll. But as a journalist, he instinctively researched every avenue of treatment that might save his son and refused to give up on Nic.
Beautiful Boy is a fiercely candid memoir that brings immediacy to the emotional rollercoaster of loving a child who seems beyond help.

Amazon Best of the Month, February 2008: From as early as grade school, the world seemed to be on Nic Sheff's string. Bright and athletic, he excelled in any setting and appeared destined for greatness. Yet as childhood exuberance faded into teenage angst, the precocious boy found himself going down a much different path. Seduced by the illicit world of drugs and alcohol, he quickly found himself caught in the clutches of addiction. Beautiful Boy is Nic's story, but from the perspective of his father, David. Achingly honest, it chronicles the betrayal, pain, and terrifying question marks that haunt the loved ones of an addict. Many respond to addict! ion with a painful oath of silence, but David Sheff opens up p! ersonal wounds to reinforce that it is a disease, and must be treated as such. Most importantly, his journey provides those in similar situations with a commodity that they can never lose: hope --Dave CallananFrom Adonis and images of St. Sebastian to James Dean and Calvin Klein models, beautiful boys have been quietly admired since the beginning of time. While most agree that women have been treated and depicted as sex objects, Germaine Greer's sensational thesis is that the erotic charge of male imagery has been rigorously repressed throughout history. Men and women alike have been blind to the sensuality and flirtatiousness found in images of boys, as well as to the many depictions of female bodies based on the juvenile male-from Michelangelo's female figures to waif like supermodels.

This iconic ideal of male physical beauty is revealed in hundreds of dazzling images by the world's greatest artists and photographers. The Kritios boy, Caravaggio's Love Triumphant,! Larry Clark's Oklahoma City, Nijinsky in "L'Apres-Midi d'un Faune," Cellini's Narcissus, Donatello's David, Thomas Eakins' young swimmers, and many other examples, provide striking evidence that the models of today- with their wide shoulders and narrow hips-echo the boyish ideal.
Nic Sheff was drunk for the first time at age eleven. In the years that followed, he would regularly smoke pot, do cocaine and Ecstasy, and develop addictions to crystal meth and heroin. Even so, he felt like he would always be able to quit and put his life together whenever he needed to. It took a violent relapse one summer in California to convince him otherwise. In a voice that is raw and honest, Nic spares no detail in telling us the compelling, heartbreaking, and true story of his relapse and the road to recovery. As we watch Nic plunge the mental and physical depths of drug addiction, he paints a picture for us of a person at odds with his past, with his family, with his substances, and w! ith himself. It's a harrowing portraitâ€"but not one without h! ope.

Kamis, 19 Januari 2012

Chloe New for Women. Eau De Parfum Spray 2.5-Ounces

Rabu, 18 Januari 2012

Ed Gein: The Butcher of Plainfield

  • Actors: Kane Hodder, Adrienne Frantz, Michael Berryman, Priscilla Barnes, Shawn Hoffman.
  • Format: AC-3, Closed-captioned, Color, Dolby, DVD, Subtitled, Widescreen, NTSC.
  • Language: English (Dolby Digital 2.0), English (Dolby Digital 5.1 EX). Subtitles: Spanish.
  • Region: Region 1 (U.S. and Canada only).
  • Rated R. Run Time: 90 minutes.
The truth behind the twisted crimes that inspired the films Psycho, The Texas Chain Saw Massacre, and The Silence of the Lambs...

From "America's principal chronicler of its greatest psychopathic killers" (The Boston Book Review) comes the definitive account of Ed Gein, a mild-mannered Wisconsin farmhand who stunned an unsuspecting nation -- and redefined the meaning of the word "psycho." The year was 1957. The place was an ordinary farmhouse in America's heartland, filled with extraordinary evidence o! f unthinkable depravity. The man behind the massacre was a slight, unassuming Midwesterner with a strange smile -- and even stranger attachment to his domineering mother. After her death and a failed attempt to dig up his mother's body from the local cemetery, Gein turned to other grave robberies and, ultimately, multiple murders. Driven to commit gruesome and bizarre acts beyond all imagining, Ed Gein remains one of the most deranged minds in the annals of American homicide. This is his story -- recounted in fascinating and chilling detail by Harold Schechter, one of the most acclaimed true-crime storytellers of our time.Harold Schechter is a historian: he takes old files and yellowed newspaper clippings, and brings their stories to life. Deviant is about everyone's favorite ghoul, Ed Gein--whose crimes inspired the writers of Psycho, Texas Chainsaw Massacre, and The Silence of the Lambs. Schechter deftly evokes the small-town 1950s Wiscons! in setting--not pretty farms and cheese factories, but infert! ile soil and a bleak, hardscrabble existence. The details of Gein's "death house" are perhaps well known by now, but the murderer's quietly crazy, almost gentle personality comes forth in this book as never before. As Gary Kadet wrote, in The Boston Book Review, "Schechter is a dogged researcher [who backs up] every bizarre detail and curious twist in this and his other books ... More importantly, he nimbly avoids miring his writing and our reading with minutiae or researched overstatement, which means that although he can occasionally be dry, he is never boring."
Also recommended: Schechter's books about Albert Fish (Deranged) and Herman Mudgett a.k.a. Dr. H. H. Holmes (Depraved).The story of the killer Ed Gein is one of the weirdest, most disturbing ever, one that has inspired horror stories as diverse as Psycho and The Texas Chainsaw Massacre. His crimes, which were committed in and around Plainfield, Wisconsin, included exhuming corpses from! local graveyards and making trophies and keepsakes from their skin and bones.

The Murder Files is a series of individual titles, giving condensed accounts of some of the most appalling and notorious killers of all time.The story of the killer Ed Gein is one of the weirdest, most disturbing ever, one that has inspired horror stories as diverse as Psycho and The Texas Chainsaw Massacre. His crimes, which were committed in and around Plainfield, Wisconsin, included exhuming corpses from local graveyards and making trophies and keepsakes from their skin and bones.

The Murder Files is a series of individual titles, giving condensed accounts of some of the most appalling and notorious killers of all time.This is the true story of America’s first famous serial killer. Everyone in small Plainfield, Wisconsin thought Ed was just a little different, a local oddity. But Ed was tormented and haunted by years of family abuse and repression which led him to the bruta! l murders and mutilations of countless victims and corpses. In! a remot e farmhouse filled with the stench of death, Ed is driven to do unspeakable acts to his victims, acts that have become legend and the basis for future films like "Psycho" and the "Texas Chainsaw Massacre." This film will shock you with its unflinching horror and unforgettable performances from Steve Railsback and Carrie Snodgrass. No one will ever forget the true story of "Ed Gein."

America may have had its fill of psychos for the last forty years, but none of them has inspired so many books and films (Pyscho, The Silence of the Lambs, The Texas Chainsaw Massacre) as Wisconsin's cannibalistic handyman, Ed Gein. None of them has been used as the ultimate ogre in countless children's stories and off-color jokes, and none of them has been found guilty of as many unspeakable atrocities as Ed Gein.

This is his story. This is his legend.
Every neighbourhood has one ... a notorious "murder house" which was once the scene of a brutal and bloody crime. If the wall! s of number 25 Cromwell Street had ears, what horrifying acts would they have overheard during the occupancy of serial killers Fred and Rose West? Brutal torture sessions and grisly murders were a regular occurrence. Even after the evidence has been removed and the perpetrators imprisoned or executed, an aura of horror, fear and disgust can linger on for decades. Houses of Death provides an incredible insight into ordinary homes and institutional buildings that have played host to extraordinary events. It explores the infamous buildings, the murderers and victims who called them ‘home’, as well as the bizarre and bloody events that took place behind their closed doors.

Contents including:
Countess Erzsebet Bathory,Castle Csejthe; Eastern State Penitentiary; The Bender family log cabin; Sing Sing;
Lizzie Borden, 92 Second Street, Fall River; H H Holmes, The Murder Castle, Chicago; Newgate Prison; Lemp Mansion, St Louis; Bangkwang Prison, Thailand; Co! llingwood Manor Massacre; Washington State Penitentiary; John ! Christie , 10 Rillington Place; Ed Gein, Gein’s Farm, Plainfield, Wisconsin; Holloway Prison; Alcatraz; The Manson Family, 10050 Cielo Drive, Los Angeles; Jonestown; Fred and Rose West, 25 Cromwell Street; Jeffrey Dahmer, 213 Oxford Apartments;
Gary Heidnik, 3520 North Marshall Street; Ian Huntley, 5 College Close, Soham.Every neighbourhood has one ... a notorious "murder house" which was once the scene of a brutal and bloody crime. If the walls of number 25 Cromwell Street had ears, what horrifying acts would they have overheard during the occupancy of serial killers Fred and Rose West? Brutal torture sessions and grisly murders were a regular occurrence. Even after the evidence has been removed and the perpetrators imprisoned or executed, an aura of horror, fear and disgust can linger on for decades. Houses of Death provides an incredible insight into ordinary homes and institutional buildings that have played host to extraordinary events. It explores the infamous buildings,! the murderers and victims who called them ‘home’, as well as the bizarre and bloody events that took place behind their closed doors.

Contents including:
Countess Erzsebet Bathory,Castle Csejthe; Eastern State Penitentiary; The Bender family log cabin; Sing Sing;
Lizzie Borden, 92 Second Street, Fall River; H H Holmes, The Murder Castle, Chicago; Newgate Prison; Lemp Mansion, St Louis; Bangkwang Prison, Thailand; Collingwood Manor Massacre; Washington State Penitentiary; John Christie, 10 Rillington Place; Ed Gein, Gein’s Farm, Plainfield, Wisconsin; Holloway Prison; Alcatraz; The Manson Family, 10050 Cielo Drive, Los Angeles; Jonestown; Fred and Rose West, 25 Cromwell Street; Jeffrey Dahmer, 213 Oxford Apartments;
Gary Heidnik, 3520 North Marshall Street; Ian Huntley, 5 College Close, Soham.Fascinating but disturbing movie, a look at a horrifying killer.It was 2005 when Ed Gein released their last album, Judas Goats and Dieseleaters. Birthed in Syrac! use, NY in early 2001 and propelled into the hardcore spotligh! t by cri tical acclaim, a raucous live show and an appearance on the Hellfest 2003 DVD, the ball started rolling and the bad hit the ground running hard. From 2005-2007, the band were road warriors, terrorizing the music scene with their spazzy, metallic-grind, laced with punk sensibility and political and socially driven lyrical content. Their CD and vinyl sales were going strong. Their profile with the press was growing. The tour offers were rolling in and management/booking agents were taking note. Then everything just stopped. On the outside, everything seemed to be getting better. But behind the scenes, the band was stalked by bad luck. Their new record is appropriately titled Bad Luck as it summed up their life as a band. Robbed, beat up, lost broken down, crashed, robbed again, broken down againand againNo Ed Gein did not break up. Just took a little break.The gruesome murders shocked the world, the grisly remains told a terrifying story of pain, brutality and torture. Now, ye! ars after inspiring PSYCHO's Norman Bates, SILENCE OF THE LAMBS's Buffalo Bill and THE TEXAS CHAINSAW MASSACRE's Leatherface, the story of real-life, serial killer Ed Gein is finally told. Nicknamed "The Butcher of Plainfield," Gein was responsible for a rash of gory murders that sent shock waves through his rural Wisconsin town, and across America, in the late 1950s. Prepare to enter the evil mind and twisted world of "The Butcher of Plainfield" in this dark and disturbing thriller.
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