Jumat, 18 November 2011

Dead & Buried (Limited Edition)

  • DEAD & BURIED LIMITED EDITION 2-DISC (DVD MOVIE)
Paul Conroy is not ready to die. But when he wakes up six feet underground with no idea of who put him there or why, life for the truck driver and family man instantly becomes a hellish struggle for survival. Buried with only a cell phone and a lighter, his contact with the outside world and ability to piece together clues that could help him discover his location are maddeningly limited. Poor reception, a rapidly draining battery, and a dwindling oxygen supply become his worst enemies in a tightly confined race against time; fighting panic, despair and delirium, Paul has only ninety minutes to be rescued before his worst nightmare comes true.Alfred Hitchcock, eat your heart out. Sure, the master of suspense set himself some tough challenges with limited scenarios: Lifeboat took place entirely within the title craft, Rear Window d! idn't stray from Jimmy Stewart's apartment, and Rope stuck mostly to an unbroken take. But Spanish director Rodrigo Cortés wants to do the master one better: Buried is set inside a coffin, buried beneath a few feet of immovable earth. Paul Conroy (Ryan Reynolds) wakes up inside the coffin, a cell phone and lighter next to him; for the next 90 minutes, we won't leave the narrow space of that wooden box. No cheats: no flashbacks to Paul's past, no cross-cutting with efforts to free him. Cortés sticks to the rules and follows his story out to its conclusion, and in the process he must think of every possible way to shoot and light someone in a confined space. Seems Paul was in Iraq as a non-military truck driver when he got caught in some crossfire, and somebody wants to make a point. The cell phone allows him to speak, and try to puzzle out what's happening, but except for the voices on the other end, this is entirely Ryan Reynolds's show. The actor is up for ! it: although he can't use his body, he calls on both his actio! n-movie chops and (at certain exasperating moments) his comic talents. By definition, this is a bravura turn, and Reynolds comes through firing on all cylinders. Buried is an exercise, but it manages to sneak in a few sly suggestions about the nature of an American's presence in the Middle East. It even earns points for an excellent credits sequence--a clever nod to Hitchcock classics. Somehow you suspect the master would approve. --Robert Horton'Buried': Book two in the 'Serenity' Series.

*Warning: this blurb contains spoilers if you have not already read 'Alone'*

Four years after the horrific murder of her husband, Serenity is living a new life and finally putting the terrifying events behind her. Though now a stronger person, her heart craves the vampire who gave her the strength to change her life.

Desperate to forget Serenity, Sebastian hides away in the underground tunnels of Goreme, Turkey, and has thrown himself into an existen! ce of darkness and blood.

But rumours are abound of something unnatural existing, something with the strength of a vampire but that can walk in the light.

And a murderer is on the loose in Angeles Forest, someone who is killing with the ferocity of a beast. The killer is moving closer and closer to the city, searching for something...


Book 3 in the series, 'Captured' will be published early 2012.
'Buried': Book two in the 'Serenity' Series.

*Warning: this blurb contains spoilers if you have not already read 'Alone'*

Four years after the horrific murder of her husband, Serenity is living a new life and finally putting the terrifying events behind her. Though now a stronger person, her heart craves the vampire who gave her the strength to change her life.

Desperate to forget Serenity, Sebastian hides away in the underground tunnels of Goreme, Turkey, and has thrown himself into an existence of darkness and bl! ood.

But rumours are abound of something unnatural exi! sting, s omething with the strength of a vampire but that can walk in the light.

And a murderer is on the loose in Angeles Forest, someone who is killing with the ferocity of a beast. The killer is moving closer and closer to the city, searching for something...


Book 3 in the series, 'Captured' will be published early 2012.
DEAD AND BURIED - DVD MovieOverlooked during its theatrical run but a cult favorite on video, this unique and chilling take on the zombie film finally joins the digital ranks with a two-DVD set from Blue Underground. James Farentino stars as a small-town sheriff who discovers that the victims in a string of grisly murders are reappearing seemingly alive and unharmed. His investigation leads him to suspect that the local mortician (Jack Albertson) is somehow responsible for these reanimated corpses; what Farentino doesn't know is the extent to which the entire town-himself included-is involved. First-time viewers will appreciate director Gary ! Sherman's attention to pacing and atmosphere, as well as the often darkly humorous script by co-producer Ronald Shusett and Dan O'Bannon (Alien, Total Recall) and the solid cast (which includes future horror star Robert Englund); longtime fans will appreciate the fact that Blue Underground's uncut print restores many of Stan Winston's gruesome special effects. --Paul Gaita

Elephant: A Film By Gus Van Sant

  • Winner of the Palme d'Or and Best Director prizes at the 2003 Cannes Film Festival, Gus Van Sant's (Good Will Hunting, Finding Forrester) Elephant takes us inside an American high school on one, single ordinary day that very rapidly turns tragic. Elephant demonstrates that high school life is a complex landscape where the vitality and beauty of young lives can shift from light to darkness with sur
From the groundbreaking director of GOOD WILL HUNTING and FINDING FORRESTER, GERRY stars Academy Award(R) winner Matt Damon (Best Original Screenplay, GOOD WILL HUNTING, 1997; THE BOURNE IDENTITY, OCEAN'S ELEVEN) and Casey Affleck (OCEAN'S ELEVEN, SOUL SURVIVORS) in a suspenseful and highly provocative story of two men pushed to the limit! A pair of best friends (Affleck and Damon), who've nicknamed each other "Gerry," set out on a desert hike. But what begins as a simple daytime adventure turns int! o an intense life-and-death journey that will test the strength of human endurance and ultimately, their friendship! Written by Damon, Affleck, and Director Gus Van Sant, this uncommonly compelling and starkly visualized film is a must-see motion picture that has earned the overwhelming praise of critics nationwide!In Gerry, two young men (Matt Damon and Casey Affleck) wander beautiful, barren, and surreal landscapes, gradually growing more and more lost. This film from Gus Van Sant (director of Drugstore Cowboy, My Own Private Idaho, and Good Will Hunting) has no story, hardly any dialogue, and even less in the way of "action" or "events." Yet the movie is by turns maddening and hypnotic; although few people will agree on which are the maddening scenes and which are the hypnotic ones, you will leave Gerry with one or more stunning images in your head. In fact, Gerry is probably more pleasurable to remember than it is to sit throug! h. Committed performances, flashes of dark humor, and a smatte! ring of visual effects give the movie some shape, but the more you just surrender to the emptiness of the landscape, the more rewarding Gerry will be. --Bret FetzerFrom the groundbreaking director of Milk and Good Will Hunting, Gerry stars Matt Damon (The Adjustment Bureau) and Casey Affleck (Gone Baby Gone) in a suspenseful and highly provocative story of two men pushed to the limit.
A pair of best friends (Affleck and Damon), who've nicknamed each other "Gerry," set out on a desert hike. But what begins as a simple daytime adventure turns into an intense life-and-death journey that will test the strength of human endurance and ultimately their friendship. Written by Damon, Affleck and director Gus Van Sant, this uncommonly compelling and starkly visualized film has earned the overwhelming praise of critics nationwide.In Gerry, two young men (Matt Damon and Casey Affleck) wander beautiful, barren, and sur! real landscapes, gradually growing more and more lost. This film from Gus Van Sant (director of Drugstore Cowboy, My Own Private Idaho, and Good Will Hunting) has no story, hardly any dialogue, and even less in the way of "action" or "events." Yet the movie is by turns maddening and hypnotic; although few people will agree on which are the maddening scenes and which are the hypnotic ones, you will leave Gerry with one or more stunning images in your head. In fact, Gerry is probably more pleasurable to remember than it is to sit through. Committed performances, flashes of dark humor, and a smattering of visual effects give the movie some shape, but the more you just surrender to the emptiness of the landscape, the more rewarding Gerry will be. --Bret FetzerWinner of the Palme d'Or and Best Director prizes at the 2003 Cannes Film Festival, Gus Van Sant's (Good Will Hunting, Finding Forrester) Elephant takes us inside an Ameri! can high school on one, single ordinary day that very rapidly ! turns tr agic. Elephant demonstrates that high school life is a complex landscape where the vitality and beauty of young lives can shift from light to darkness with surreal speed. It's an ordinary high school day. Except that it's not.

DVD Features:
Featurette:On the Set of Elephant: "Rolling Through Time"
Full Screen Version
TV Spot:HBO Films Spot
Theatrical Trailer

Elephant, the elegant and unsettling movie from Gus Van Sant (My Own Private Idaho, Good Will Hunting), depicts students at a high school before and during a harrowing, Columbine-style shooting. The movie follows one young boy who takes over the wheel from his drunken dad while returning from lunch, then loops back in time and follows another student who crosses paths with the first, then loops back and follows another--all captured in long, unedited tracking shots that are serene and unhurried, even when two boys in camouflage gear, carrying h! eavy bags, arrive at the school and begin shooting. Elephant doesn't attempt to explain their behavior; it simply places the audience back in the brief yet interminable window of adolescence, when life is trivial and painfully important at the same time. Your reaction to Elephant will depend as much on your life experiences as anything in the movie itself. --Bret Fetzer

The Young Victoria [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Color; Dolby; Subtitled; Widescreen
From Jane Campion, Academy Award winner of The Piano, comes a sweeping love story that will carry you back through time to experience the passion and romance between acclaimed poet, John Keats and his beloved muse. London 1818: a secret love affair begins between 23 year old English poet, John Keats, and the girl next door Fanny Brawne, an outspoken student of high fashion. This unlikely pair began at odds, he thinking her a stylish minx, while she was unimpressed not only by his poetry but also by literature in general.
Add Jane Campion's rich, sensuous, quietly thrilling Bright Star to the very short list of admirable films about writers. In this case the writer is John Keat! s (Ben Whishaw), the Romantic poet who died at age 25 believing himself a failure. The movie, set during his last several years, focuses on his playful friendship with and evolving love for Fanny Brawne (Abbie Cornish), the independent-minded young woman who lived next door in Hampstead Village and was, in her own fashion, an artistic spirit. Completing an ineffably fraught constellation--not exactly a romantic triangle--is Keats's host Charles Armitage Brown (Paul Schneider), who loves, esteems, and regards Keats with both pride and envy, and engages in an unstated rivalry for Fanny. All three performances are superb, with Whishaw adding to his gallery of artist figures (the olfactorily obsessed murderer in Perfume, one of the Bob Dylans in I'm Not There), and Cornish and Schneider taking top acting honors for 2009. As in Campion's The Piano, others are party to the central story, and they have identities, personalities, and claims to intelligence and ! understanding that we appreciate without having it announced i! n dialog ue. Kerry Fox (redheaded wild girl of Campion's An Angel at My Table nearly two decades ago) evokes Fanny's mother with a few brushstrokes, and Fanny's young sister and brother are watchful presences and de facto co-conspirators in the courtship. In addition, Bright Star is the rare period movie to convey--without being insistent--what it was like to be alive in another era, the nature of houses and rooms and how people occupied them, the way windows linked spaces and enlarged people's lives and experiences, how fires warmed as the milky English sunlight did not. And always there is an aliveness to place and weather, the creak of boardwalk underfoot and the wind rustling the reeds as lovers walk through a wetland. Poetry grows from such things; at least, Jane Campion's does. --Richard T. JamesonEmily Blunt and Rupert Friend star in the lavish historical drama, THE YOUNG VICTORIA. Resolved to establish her authority over those who rule in her stead! , a young and inexperienced Queen Victoria (Blunt) draws strength from the love of Albert (Friend), the handsome prince who’s stolen her heart. Based on the courtship and early reign of England’s longest-serving monarch, THE YOUNG VICTORIA is a majestic tale of romance, intrigue and power.


Stills from The Young Victoria (Click for larger image)











Emily Blunt and Rupert Friend star in the lavish historical drama, THE YOUNG VICTORIA. Resolved to establish her authori! ty over those who rule in her stead, a young and inexperienced Queen Victoria (Blunt) draws strength from the love of Albert (Friend), the handsome prince who’s stolen her heart. Based on the courtship and early reign of England’s longest-serving monarch, THE YOUNG VICTORIA is a majestic tale of romance, intrigue and power.


Stills from The Young Victoria (Click for larger image)












Harrisons & Crosfield Chamomile Flowers Tea, Caffeine Free, 10-Count Tea Bags (Pack of 16)

  • Pack of sixteen, 10-Count tea bags
  • Its caffeine free
  • No added colors or flavors
Andie MacDowell (FOUR WEDDINGS AND A FUNERAL) stars in the compelling story of one woman's determination to find her husband Harrison (David Strathairn, L.A. CONFIDENTIAL), a Pulitzer Prize-winning photojournalist. He is reported as missing while on a dangerous assignment covering a war in a foreign country. When Harrison is presumed dead by his colleagues and editor, only Sarah believes that he is still alive. Driven by intense passion she courageously plunges into a land ravaged by war, risking her own life as she engages in a relentless search to find him.An implausible plot doesn't prevent Harrison's Flowers from being a harrowing and moving depiction of the cost of war. Andie MacDowell stars as Sarah Lloyd, the wife of a photojournalist reported lost in the 1991 civil war raging betw! een ethnic divisions in the former Yugoslavia. Refusing to believe her husband is dead, Sarah flies to Austria and then drives into the heart of the war, where she teams up with other photographers (Adrien Brody and Brendan Gleeson), who help her find a small town where her husband was last seen--while all around them rages one of the most horrific conflicts of the late 20th century. The story is barely credible, but the depiction of the war itself is stunning, and the depiction of the lives of photojournalists--partly thrill-seeking voyeurs, partly truth tellers--is complex and compelling. Though MacDowell isn't a great actress, all the performances are solid, and Brody is outstanding. --Bret FetzerAn implausible plot doesn't prevent Harrison's Flowers from being a harrowing and moving depiction of the cost of war. Andie MacDowell stars as Sarah Lloyd, the wife of a photojournalist reported lost in the 1991 civil war raging between ethnic divisio! ns in the former Yugoslavia. Refusing to believe her husband ! is dead, Sarah flies to Austria and then drives into the heart of the war, where she teams up with other photographers (Adrien Brody and Brendan Gleeson), who help her find a small town where her husband was last seen--while all around them rages one of the most horrific conflicts of the late 20th century. The story is barely credible, but the depiction of the war itself is stunning, and the depiction of the lives of photojournalists--partly thrill-seeking voyeurs, partly truth tellers--is complex and compelling. Though MacDowell isn't a great actress, all the performances are solid, and Brody is outstanding. --Bret FetzerWith a seductive painting style described as "realism with a soul," Susan Harrison-Tustain casts new light on a favourite subject among watercolourists. She captures the "essence" of her flowers in their natural settings, complete with bumblebees, dew drops, and other whimsical touches of life. Artists will learn her unique priming method, along wit! h other techniques for creating vibrant colours, realistic textures and lively light. There are three complete step-by-step painting demonstrations and 14 mini-demos.An implausible plot doesn't prevent Harrison's Flowers from being a harrowing and moving depiction of the cost of war. Andie MacDowell stars as Sarah Lloyd, the wife of a photojournalist reported lost in the 1991 civil war raging between ethnic divisions in the former Yugoslavia. Refusing to believe her husband is dead, Sarah flies to Austria and then drives into the heart of the war, where she teams up with other photographers (Adrien Brody and Brendan Gleeson), who help her find a small town where her husband was last seen--while all around them rages one of the most horrific conflicts of the late 20th century. The story is barely credible, but the depiction of the war itself is stunning, and the depiction of the lives of photojournalists--partly thrill-seeking voyeurs, partly truth tellers-! -is complex and compelling. Though MacDowell isn't a great ac! tress, a ll the performances are solid, and Brody is outstanding. --Bret Fetzer

Green Zone (Exclusive Special Edition)

  • dvd
  • thrilling
Academy Award® nominees Matt Damon and director Paul Greengrass (The Bourne Supremacy, The Bourne Ultimatum) reteam in this action-packed thriller. Damon stars as Roy Miller, a rogue U.S. Army officer who must hunt through covert and faulty intelligence hidden on foreign soil before war escalates in an unstable region. Also starring Academy Award® nominees Greg Kinnear and Amy Ryan, Green Zone is “one hell of a thriller” (Roger Ebert, Chicago Sun-Times).Matt Damon reteams with his Bourne Supremacy director to create a thriller grounded in contemporary politics: the search for weapons of mass destruction in Iraq. Chief Warrant Officer Roy Miller (Damon) travels across war-torn Iraq, pursuing the intelligence he's been given, but every site indicated comes up empty of WMDs. Investigating the source of the intelligence, he finds himself caught between CIA agent! Martin Brown (Brendan Gleeson, 28 Days Later) and politician Clark Poundstone (Greg Kinnear, Little Miss Sunshine) over the identity of "Magellan," the supposed source. As Miller tracks down an Iraqi general, he ends up further and further afield, facing danger from all sides. It's hard to say which is the greater accomplishment--that Green Zone manages to turn a still-volatile political issue into a propulsive action movie, or that it manages to depict Iraqi people as individuals with a wide range of responses to what's happened to their country. Damon's performance is low-key but effective as Miller tries to maintain some semblance of moral clarity in a circumstance that muddies everything. Also featuring Amy Ryan (Gone Baby Gone) as a compromised journalist and Khalid Abdalla (The Kite Runner) as an Iraqi civilian who gets dragged into far more than he expected. --Bret FetzerAcademy Award® nominees Matt Damon and director Paul ! Greengrass (The Bourne Supremacy, The Bourne Ultimatum) reteam! in this action-packed thriller. Damon stars as Roy Miller, a rogue U.S. Army officer who must hunt through covert and faulty intelligence hidden on foreign soil before war escalates in an unstable region. Also starring Academy Award® nominees Greg Kinnear and Amy Ryan, Green Zone is “one hell of a thriller” (Roger Ebert, Chicago Sun-Times).Matt Damon reteams with his Bourne Supremacy director to create a thriller grounded in contemporary politics: the search for weapons of mass destruction in Iraq. Chief Warrant Officer Roy Miller (Damon) travels across war-torn Iraq, pursuing the intelligence he's been given, but every site indicated comes up empty of WMDs. Investigating the source of the intelligence, he finds himself caught between CIA agent Martin Brown (Brendan Gleeson, 28 Days Later) and politician Clark Poundstone (Greg Kinnear, Little Miss Sunshine) over the identity of "Magellan," the supposed source. As Miller tracks down an Iraqi general, he end! s up further and further afield, facing danger from all sides. It's hard to say which is the greater accomplishment--that Green Zone manages to turn a still-volatile political issue into a propulsive action movie, or that it manages to depict Iraqi people as individuals with a wide range of responses to what's happened to their country. Damon's performance is low-key but effective as Miller tries to maintain some semblance of moral clarity in a circumstance that muddies everything. Also featuring Amy Ryan (Gone Baby Gone) as a compromised journalist and Khalid Abdalla (The Kite Runner) as an Iraqi civilian who gets dragged into far more than he expected. --Bret FetzerExclusive Special Edition 10 mp 3 Downloads

Home on the Range

  • Round up the family and get ready for a whole lotta fun with Disney's hilarious animated comedy HOME ON THE RANGE. It's a "total joy," raves Gene Shalit, The Today Show. When a greedy outlaw schemes to take possession of the "Patch Of Heaven" dairy farm, three determined cows, a karate-kicking stallion named Buck, and a colorful coral of critters join forces to save their home. The stakes
Round up the family and get ready for a whole lotta fun with Disney's hilarious animated comedy HOME ON THE RANGE. It's a "total joy," raves Gene Shalit, The Today Show. When a greedy outlaw schemes to take possession of the "Patch Of Heaven" dairy farm, three determined cows, a karate-kicking stallion named Buck, and a colorful coral of critters join forces to save their home. The stakes are sky high as this unlikely animal alliance risks their hides and match wits with a mysterious band of bad guys. Experi! ence Disney's new moo-vie adventure with spectacular bonus features, stunning animation, and original songs performed by k.d. lang, Bonnie Raitt, Tim McGraw, and The Beu Sisters and written by the Academy Award(R)-winning composer of BEAUTY AND THE BEAST and ALADDIN. It's "good fun for the whole family," declares Leonard Maltin.A spiky animation style and cowboy yodelling give Home on the Range some charisma. A trio of cows--Maggie (voiced by Roseanne, She-Devil), Mrs. Calloway (Judi Dench, Iris), and Grace (Jennifer Tilly, Bound)--hit the high prairie to track down a cattle rustler named Alameda Slim (Randy Quaid, Kingpin) in hopes that the reward money will save their farm. With the aid of Buck, a horse with heroic ambitions (Cuba Gooding Jr., Jerry Maguire), the bovine avengers track the villain to his lair and save the day, to the accompaniment of tunes warbled by k.d. lang, Bonnie Raitt, and Tim McGraw. These songs--composed by! Alan Menken (who wrote the music for The Little Mermaid and Beauty and the Beast)--are the movie's strongest element; the characters are largely trumped up to fit a number of weak jokes that reference current pop culture, thus rupturing the movie's Old West world. Still, it looks nifty. --Bret Fetzer

Mossy Oak Pro Hunter Folding Field Gut Hook Knife (Break-Up)

Anvil Poster - Concert the Story of Hard N' Heavy

  • Anvil Poster
  • Poster to advertise an Anvil Concert in Seattle
  • April 14, 2009
  • Poster size 11 x 17 in ches 28 x 43 cm
  • Only 300 printed
In 1981, Canadian Heavy Metal band Anvil released their first album, Hard 'n' Heavy. Years later, the likes of Metallica and Slayer would cite Anvil as a key influence, but lead vocalist Steve "Lips" Kudlow and drummer Robb Reiner struggled to keep the band alive. Documentary filmmaker Sacha Gervasi follows Kudlow and Reiner as they struggle to keep their ambitions alive despite 35 years of missing the brass ring in Anvil! The True Story of Anvil, which paints a sympathetic but warts-and-all portrait of the unexpected consequences of the rock & roll dream.YEAR: 2009Is Anvil the real Spinal Tap? That's a label that could be applied to any number of hapless hard rock bands, but there's enough evidence in Anvil: The Story of Anvil to suggest that these guys may have, uh, tapped into the motherlode. The parallels are many, including getting lost on the way to a gig, playing before 174 people in a 10,000 capacity venue (in Transylvania, yet), inept management, ridiculous songs (even Nigel Tufnel and David St. Hubbins couldn't match "Thumb Hang," an Anvil tune about the Spanish Inquisition)… heck, they even visit (the real) Stonehenge. But dig deeper and you'll find some real heart in this 2007 documentary. Two hearts, actually--the ones belonging to singer-guitarist Steve "Lips" Kudlow and drummer Robb Reiner (remove one "b" and you've got the director of This Is Spinal Tap). These two were there when the Canadian metal band formed in the early '80s and went on to share festival stages with the likes of Bon Jovi and Whitesnake. Now, a quarter century later (a new bassist and guitarist joined in the '90s), Reiner and Kudlow are in their fifties, living in Toronto with wives, kids, and menia! l jobs. But they still haven't given up their undying belief t! hat with a new album (their thirteenth) and couple of breaks, they will be rock stars.

It doesn't happen on a mostly disastrous European tour organized by a well-meaning but inexperienced fan. It doesn't happen when they reunite with British producer Chris Tsangarides (Black Sabbath, Thin Lizzy) but find little interest in the new recording. But Kudlow, despite some bleak moments, is remarkably resilient (of the tour, he says, "Things went drastically wrong. But at least there was a tour for them to go wrong on"). And while it's a sad truth that Anvil just isn't that good--they're nowhere near the level of some of the bands they inspired, like Anthrax and Metallica--only the hardest of heart will resist rooting for them. Bonus material includes deleted scenes and commentary by director (and former roadie) Sacha Gervasi. --Sam GrahamIn the early seventies, when Led Zeppelin and Black Sabbath ruled the world, Steve “Lips” Kudlow and Robb Reiner, two young Jewish b! oys from the northern suburbs of Toronto, vowed to rock together forever. A decade later, their band Anvil released one of the heaviest records in music history, Metal on Metal, which influenced a whole musical generation, including the world-dominating bands Metallica, Slayer, and Anthrax. Yet while these bands went on to sell millions of records, Anvil slipped straight into obscurity.

Was it too much sex and drugs and not enough rock ‘n’ roll? Was it the menagerie of pets that accompanied them on tour? Their uncanny knack for setting themselves on fire whenever a record company executive was watching? Now, almost thirty years later, like a real-life Spinal Tap, these unlikely musical heroes are still rocking, and still chasing their dream. Written in their own words, Anvil: The Story of Anvil charts the rise, fall, and eventual triumph of two men whose indestructible friendship, talent, and determination took them on a unique journey in the world of rock. A bitter! sweet and frequently hilarious hymn to the human spirit, playe! d loud i n power chords, it is a story of true brotherly love, living the dream, and never giving up.

Praise for the film documentary Anvil: The Story of Anvil:Is Anvil the real Spinal Tap? That's a label that could be applied to any number of hapless hard rock bands, but there's enough evidence in Anvil: The Story of Anvil to suggest that these guys may have, uh, tapped into the motherlode. The parallels are many, including getting lost on the way to a gig, playing before 174 people in a 10,000 capacity venue (in Transylvania, yet), inept management, ridiculous songs (even Nigel Tufnel and David St. Hubbins couldn't match "Thumb Hang," an Anvil tune about the Spanish Inquisition)… heck, they even visit (the real) Stonehenge. But dig deeper and you'll find some real heart in this 2007 documentary. Two hearts, actually--the ones belonging to singer-guitarist Steve "Lips" Kudlow and drummer Robb Reiner (remove one "b" and you've got the director of This Is Spinal Tap). These two were there when the Canadian metal band formed in the early '80s and went on to share festival stages with the likes of Bon Jovi and Whitesnake. Now, a quarter century later (a new bassist and guitarist joined in the '90s), Reiner and Kudlow are in their fifties, living in Toronto with wives, kids, and menial jobs. But they still haven't given up their undying belief that with a new album (their thirteenth) and couple of breaks, they will be rock stars.

It doesn't happen on a mostly disastrous European tour organized by a well-meaning but inexperienced fan. It doesn't happen when they reunite with British producer Chris Tsangarides (Black Sabbath, Thin Lizzy) but find little interest in the new recording. But Kudlow, despite some bleak moments, is remarkably resilient (of the tour, he says, "Things went drastically wrong. But at least there was a tour for them to go wrong on"). And while it's a sad truth that Anvil just isn't that good--they're nowh! ere near the level of some of the bands they inspired, like An! thrax an d Metallica--only the hardest of heart will resist rooting for them. Bonus material includes deleted scenes and commentary by director (and former roadie) Sacha Gervasi. --Sam GrahamThe alien Arcadians always want to fly, not to run. But whatever else she might like to call it, Maeve Cavainna is running. She is chased closely by the infamous bounty hunter, Logan Coldhand, who intends to drag her back to Axis to collect the high price on her head.

When he finally corners Maeve, the long chase seems to be over... until a frightened girl stumbles into the middle of their fight and begs for their protection. Maeve and Logan call a reluctant end to their battle and promise to help the girl, but they have agreed to far more than they know. Can the fragile peace between hunter and mark hold long enough to save the lives that depend on them?The alien Arcadians always want to fly, not to run. But whatever else she might like to call it, Maeve Cavainna is running. Sh! e is chased closely by the infamous bounty hunter, Logan Coldhand, who intends to drag her back to Axis to collect the high price on her head.

When he finally corners Maeve, the long chase seems to be over... until a frightened girl stumbles into the middle of their fight and begs for their protection. Maeve and Logan call a reluctant end to their battle and promise to help the girl, but they have agreed to far more than they know. Can the fragile peace between hunter and mark hold long enough to save the lives that depend on them?Poster to advertise and Anvil Concert in Seattle. One of 300 printed to advertise the show.

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