Sabtu, 31 Desember 2011

Pirates of the Caribbean: At World's End (Two-Disc Limited Edition)

  • Condition: New
  • Format: DVD
  • Subtitled; Color; Special Edition; Widescreen; NTSC
From Michael Cunningham, the Pulitzer Prize-winning author of The Hours, comes this widely praised novel of two boyhood friends: Jonathan, lonely, introspective, and unsure of himself; and Bobby, hip, dark, and inarticulate. In New York after college, Bobby moves in with Jonathan and his roommate, Clare, a veteran of the city's erotic wars. Bobby and Clare fall in love, scuttling the plans of Jonathan, who is gay, to father Clare's child. Then, when Clare and Bobby have a baby, the three move to a small house upstate to raise "their" child together and, with an odd friend, Alice, create a new kind of family. A Home at the End of the World masterfully depicts the charged, fragile relationships of urban life today.
From Michael Cunningham, the Pulitzer Prize-winning author of ! The Hours, comes this widely praised novel of two boyhood friends: Jonathan, lonely, introspective, and unsure of himself; and Bobby, hip, dark, and inarticulate. In New York after college, Bobby moves in with Jonathan and his roommate, Clare, a veteran of the city's erotic wars. Bobby and Clare fall in love, scuttling the plans of Jonathan, who is gay, to father Clare's child. Then, when Clare and Bobby have a baby, the three move to a small house upstate to raise "their" child together and, with an odd friend, Alice, create a new kind of family. A Home at the End of the World masterfully depicts the charged, fragile relationships of urban life today.
From Michael Cunningham, the Pulitzer Prize-winning author of The Hours, comes this widely praised novel of two boyhood friends: Jonathan, lonely, introspective, and unsure of himself; and Bobby, hip, dark, and inarticulate. In New York after college, Bobby moves in with Jonathan and his room! mate, Clare, a veteran of the city's erotic wars. Bobby and Cl! are fall in love, scuttling the plans of Jonathan, who is gay, to father Clare's child. Then, when Clare and Bobby have a baby, the three move to a small house upstate to raise "their" child together and, with an odd friend, Alice, create a new kind of family. A Home at the End of the World masterfully depicts the charged, fragile relationships of urban life today.
With score composed by famed singer/songwriter Duncan Sheik, A Home At The End Of The World also features songs from the '60s and '70s through the '80s, including tracks by Jefferson Airplane, Bob Dylan, The Band, Yaz, Patti Smith, Paul Simon, Leonard Cohen, Laura Nyro and more. Sheik's emotional score captures the essence of the characters' journeys through their lives and the relationships they develop along the way.Adapted from the novel/screenplay of Pulitzer Prize winner Michael Cunningham (The Hours), Colin Farrell gives an inspired performance as a tragedy-stricken youth whose search for iden! tity and happiness forms the core of its unconventional friendship and romance. Its warm, admirably eclectic song-based soundtrack echoes the film's two decade arc with selections that span both era and emotion, from the innocence of Dusty Springfield's "Wishin' and Hopin'" and Yaz' infectious "Only You" to the angst-ridden classic rock-era bookends of "Somebody to Love" by the Jefferson Airplane and Patty Smith's epochal "Because the Night." The score's classical selections continue that thread with excerpts from Mozart's Cosi Fan Tutte and contemporary minimalist Steve Reich's vibrant Music for Eighteen Musicians. But it’s the half-dozen warm, introspective new tracks from Duncan Sheik that form the soundtrack's evocative emotional core, with melancholic, production-rich standouts like "Something Somewhere" infusing it with a smart, contemporary atmosphere in the bargain. --Jerry McCulleyJust when he s needed most Captain Jack Sparrow (Johnny Dep! p) that witty and wily charmer of a pirate is trapped on a sea! of sand in Davy Jones Locker. In an increasingly shaky alliance Will Turner (Orlando Bloom) Elizabeth Swann (Keira Knightley) and Captain Barbossa (Geoffrey Rush) begin a desperate quest to find and rescue him. Captain Jack s the last of the nine Pirate Lords of the Brethren Court who must come together united in one last stand to preserve the freedom-loving pirates way of life. From exotic Singapore to World s End and beyond from Shipwreck Island to a titanic battle this adventure s filled with over-the-edge action irreverent humor and seafaring myth and magic. Everything has led to this twisting turning wild swashbuckling ride in this final chapter of the Pirates Of The Caribbean trilogySystem Requirements:Run Time: 165 minutesFormat: DVD MOVIE Genre: ACTION/ADVENTURE Rating: PG-13 UPC: 786936293012 Manufacturer No: 04099100Pirates of the Caribbean: At World's End is a rollicking voyage in the same spirit of the two earlier Pirates films, yet far darker in spo! ts (and nearly three hours to boot). The action, largely revolving around a pirate alliance against the ruthless East India Trading Company, doesn't disappoint, though the violence is probably too harsh for young children. Through it all, the plucky cast (Keira Knightley, Orlando Bloom, Geoffrey Rush) are buffeted by battle, maelstroms, betrayal, treachery, a ferocious Caribbean weather goddess, and that gnarly voyage back from the world's end--but with their wit intact. As always, Johnny Depp's Jack Sparrow tosses off great lines ; he chastises "a woman scorned, like which hell hath no fury than!" He insults an opponent with a string of epithets, ending in "yeasty codpiece."!

In the previous The Curse of the Black Pearl, Sparrow was killed--sent to Davy Jones' Locker. In the opening scenes, the viewer sees that death has not been kind to Sparrow--but that's not to say he hasn't found endless ways to amuse himself, cavorting with dozens of hallucinated versions! of himself on the deck of the Black Pearl. But Sparrow is nee! ded in t his world, so a daring rescue brings him back. Keith Richards' much ballyhooed appearance as Jack's dad is little more than a cameo, though he does play a wistful guitar. But the action, as always, is more than satisfying, held together by Depp, who, outsmarting the far-better-armed British yet again, causes a bewigged commander to muse: "Do you think he plans it all out, or just makes it up as he goes along?" As far as fans are concerned, it matters not. --A.T. Hurley

On the DVD
Here's something you can't say about just any DVD extras: There appears to be more of Keith Richards in the outtakes, interviews, and other special features on the At World's End disc than in the actual film. For those scenes alone, this special edition is well worth the price. Richards looks as woozy and gamey as all the rumors suggested, and answers questions he's not asked, with Johnny Depp sitting next to him, almost acting as a translator. Richards offers pit! hy comments like, "Everything I do is original, you better believe," and smiles when other cast members call him "Two-Take Richards" for supposedly nailing his scenes.

The packed second disc also includes a terrific mini-doc on how the filmmakers created the famous maelstrom, in an enormous hanger in Palmdale, California, with the ships floating 30 feet off the ground. "Just moving the Black Pearl was an enormous undertaking," says producer Jerry Bruckheimer with serious understatement. Other cool extras include "Tale of the Many Jacks," deleted scenes with great commentary, "The World of Chow Yun-Fat," a bio of composer Hans Zimmer, features on the set designers, a look at the impressive Brethren Court, and some hilarious bloopers. "You can't curse in a Disney film," deadpans Depp when a costar blurts out something blue. "See? I told him." The extras are truly as much of a rollicking adventure as the film. --A.T. Hurley

! Beyond Pirates of the Caribbean: At World’s End


Our Pirates of the Caribbean Store
Pirates of the Caribbean: Curse of the Black Pearl
Pirates of the Caribbean: Dead Man’s Chest

Pirates of the Caribbean: At World’s End Soundtrack
! Why We Love… Bill Nighy
Johnny Depp Essential DVDs
Stills from Pirates of the Caribbean: At World’s End (click for larger image)

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Chapter 27

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Jumat, 30 Desember 2011

The Cat in the Hat

  • Hardcover
  • Juvenile beginning reading
  • Stories with verses
  • Rhymed verses.
  • English


Features include:

•MPAA Rating: PG
•Format: DVD
•Runtime: 82 minutes
The Cat in the Hat is a marketing ploy disguised as a wildly designed movie for hyperactive kids, and it could use a dose of Ritalin. It hardly matters, though, because kids will surely enjoy the rampant romp that occurs when the top-hatted feline convinces young Sally (Dakota Fanning) and Conrad (Spencer Breslin) to wreak havoc in the home their mother (Kelly Preston) has neatly prepared for an upcoming party. It's all in the name of fun, and while Seuss's classic rhymes are relegated to voice-over narration, director Bo Welch capitalizes on his background as one of Hollywood's most gifted production designers (with credits including Edward Scissorhands and! Men in Black), turning the Seussian town of "Anville" into a playful pastiche of pastels. As played by Mike Myers under layers of fur and latex, Dr. Seuss's mischievous Cat is mayhem personified, and the movie suffers from his anything-goes approach to getting a laugh. And though Myers delivers a few laughs while channeling voices from his own comedic repertoire (including "Coffee Talk" maven Linda Richman), a little of this Cat goes a long way, and he nearly wears out his welcome. --Jeff ShannonPoor Dick and Sally. It's cold and wet and they're stuck in the house with nothing to do . . . until a giant cat in a hat shows up, transforming the dull day into a madcap adventure and almost wrecking the place in the process! Written by Dr. Seuss in 1957 in response to the concern that "pallid primers [with] abnormally courteous, unnaturally clean boys and girls' were leading to growing illiteracy among children, The Cat in the Hat (the first Ra! ndom House Beginner Book) changed the way our children learn h! ow to re ad.
He may be an old standby, but he never lets us down. When in doubt, turn to the story of the cat that transformed a dull, rainy afternoon into a magical and just-messy-enough adventure. There's another, hidden adventure, too: this book really will help children learn to read. With his simple and often single-vowel vocabulary, the good Doctor knew what he was doing: hear it, learn it, read it--laughing all the way. The Cat in the Hat is a must for any child's library.
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Gonzo: The Life and Work of Dr. Hunter S. Thompson

  • Directed by Oscar winner Alex Gibney (Taxi to the Dark Side and Enron: The Smartest Guys in the Room) and narrated by Johnny Depp, this Collector s Edition takes a probing look into the uncanny life of Dr. Hunter S. Thompson inventor of gonzo journalism and author of the landmark Fear and Loathing in Las Vegas. Format: DVD MOVIE Genre: DOCUMENTARIES Rating: R Age: 876964001
Recorded by Hunter S. Thompson between 1965 and 1975, these tapes capture his thoughts and descriptions both as they're happening and in reflection, as he would often go back to rerecord commentary while writing. Filmmaker Alex Gibney, producer Eva Orner and Gonzo archivist Don Fleming were given permission by Thompson's widow to explore the boxes of tapes stored in the basement of his Owl Farm home in Woody Creek, Colorado, left behind after Thompson's suicide in 2005. Fleming transferred the audiocassettes and reel-t! o-reel tapes to digital files, and they made their way to the cutting room for the film Gonzo: The Life And Work Of Dr. Hunter S. Thompson. Now for the first time these previously unreleased recordings are available in a 5-CD set. The Gonzo Tapes features original cover artwork by Gonzo artist Ralph Steadman, an amazing 44-page booklet full of never-before-seen images from Hunter S. Thompson's estate, along with memorable photos and an introduction by film director Alex Gibney, an essay by journalist and Thompson's fellow foreign correspondent Loren Jenkins, and notes by The Gonzo Tapes producer Don Fleming, former front man of the Velvet Monkeys and Gumball who has produced Sonic Youth, Alice Cooper, Hole, and more.Oscar® winning director Alex Gibney presents a probing look into the uncanny life of Dr. Hunter S. Thompson inventor of gonzo journalism and author of the landmark Fear and Loathing in Las Vegas. Accompanied by an iconic soundtrack, this fast moving, wildly ent! ertaining film addresses the major touchstones in Thompson s l! ife from his intense and ill fated relationship with the Hell s Angels to his deep involvement in Senator George McGovern s 1972 presidential election.After Enron: The Smartest Guys in the Room and Taxi to the Dark Side, Hunter S. Thompson seems like an odd subject for Alex Gibney to take on. Unlike the Enron executives or Baghram guards, the gonzo journalist didn't bilk old ladies out of their savings or torture Iraqi citizens. Nonetheless, the director's follow-up to the Oscar-winning Taxi shares an interest in the uses and abuses of power. Gibney recounts the major biographical details, from birth to suicide, but his film really comes alive when he gets to the late-1960s. Though Thompson remains best known for Fear and Loathing in Las Vegas, Gonzo concentrates on his coverage of the 1968 and '72 presidential elections. The author was particularly excited about George McGovern, and chose advocacy over non-partisan reporting. McGovern, Pat Buchana! n, Ralph Steadman, Rolling Stone editor Jann Wenner, and others testify to Thompson's enthusiasm for the South Dakota senator--and hatred for Nixon. Gibney argues that the fire started to die after Hunter witnessed the brutal treatment of protesters at Chicago’s Democratic Convention. Disillusionment led to an erosion of his talent and an escalation of his self-destructive tendencies. As Johnny Depp, who played him in Fear and Loathing, reads passages from his work, the doctor's friends and family provide a glimpse of the insecure man behind the brash image. Gibney's evenhanded depiction may disappoint true believers hoping for a glorified puff piece, but Thompson's ability to speak truth to power with wit and passion comes through loud and clear. --Kathleen C. Fennessy
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Kamis, 29 Desember 2011

The Bourne Identity: A Novel

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Breaking and Entering

  • BREAKING AND ENTERING may lack the quality and scope of Anthony Minghella s previous work such as THE ENGLISH PATIENT and COLD MOUNTAIN, but it s an interesting, character-driven drama. Jude Law (CLOSER) plays Will, a landscape architect who succeeds in business but finds his personal life is tougher to navigate. He has been with Liv (Robin Wright Penn, FORREST GUMP) for years, but it s difficult
(Drama) A sexy and steamy story about a disparate group of Londoners connected by a string of burglaries and a passionate affair.The atmospheric and erotically charged Breaking and Entering reunites director Anthony Minghella with Jude Law (The Talented Mr. Ripley, Cold Mountain) and the haunting Juliette Binoche (The English Patient, for which she and Minghella won Academy Awards). Law fully invests himself as pre-occupied landscape architect Will Francis, who with his ! partner (Martin Freeman from the original British version of The Office), is heading a gentrification project in London's seedy, crime-plagued King's Cross neighborhood. At home, he and Liv (Robin Penn Wright), his morose Swedish-American girlfriend of 10 years, are increasingly estranged over the demands of his job and of caring for Liv's autistic daughter, a 13-year-old aspiring gymnast. Will, hiding his identity, begins an affair with Amira (Binoche), the mother of a youth who has twice ransacked Will's office. Amira is a Bosnian refugee with a fierce survival streak that is not above blackmail when she learns who Will is. This is Minghella's first original screenplay since his little-known romantic gem Truly Madly Deeply. The dialogue has Woody Allen pretensions: A cleaning woman who comes under suspicion for the break-ins invokes Kafka. A prostitute (Vera Farmiga giving the film's liveliest performance) has a philosophical bent. Will himself ham-handedly ! explains how he much prefers metaphors to straightforward comm! unicatio n (he'd love this film's title). An art-house film with an A-list cast and wrenching performances, Breaking and Entering couldn't get arrested in theatres, but it is a fine addition to Crash and other liberal-minded "them and us" dramas. --Donald Liebenson
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The Great Debaters

  • Denzel Washington directs and stars in this uplifting drama based on a true story about a small East Texas all-black college in 1935 that rises to the top of the nation's debate teams in a duel against Harvard. A poet and debating coach at Wiley College, Professor Melvin Tolson (Washington) sees debating as "a blood sport" and recruits the meanest and brightest, including troubled Henr
An inspirational drama, Akeelah and the Bee is the story of Akeelah Anderson (Keke Palmer), a precocious eleven-year-old girl from south Los Angeles with a gift for words. Despite the objections of her mother Tanya (Angela Bassett), Akeelah enters various spelling contests, for which she is tutored by the forthright Dr. Larabee (Laurence Fishburne); her principal Mr. Welch (Curtis Armstrong) and the proud residents of her neighborhood. Akeelah’s aptitude earns her an opportunity to compete for a spot in th! e Scripps National Spelling Bee and in turn unites her neighborhood who witness the courage and inspiration of one amazing little girl.There aren't enough superlatives in the dictionary to describe the excellence of Akeelah and the Bee. Superbly written and directed by Doug Atchison, this PG-rated family drama covers the same dramatic territory as the acclaimed 2002 documentary Spellbound and the 2005 drama Bee Season, but the fictional story of 11-year-old Akeelah Anderson (Keke Palmer) is, if anything, even more entertaining, inspiring, and full of hope for the potential of children everywhere. Although reluctant at first (and fearful of being labeled a "brainiac" by classmates at her under-funded middle school in South Central Los Angeles), Akeelah grows determined to win the district, regional, and ultimately the Scripps National Spelling Bee, aided by the able coaching of an English professor (Laurence Fishburne) who, like Akeelah's overworked sing! le mother (Angela Bassett) is slowly recovering from a devasta! ting per sonal loss. Structured like a conventional sports drama, Akeelah and the Bee rises above its generic trappings to become an uplifting and deeply moving study of friendship, pride, fair play, and above all, the value of self-confidence and realization that there's more to life than winning. As played by the young Palmer in an award-worthy performance, Akeelah is a winner in the best sense of the word, and so is this wonderfully positive movie. --Jeff ShannonAn inspirational drama, Akeelah and the Bee is the story of Akeelah Anderson (Keke Palmer), a precocious eleven-year-old girl from south Los Angeles with a gift for words. Despite the objections of her mother Tanya (Angela Bassett), Akeelah enters various spelling contests, for which she is tutored by the forthright Dr. Larabee (Laurence Fishburne); her principal Mr. Welch (Curtis Armstrong) and the proud residents of her neighborhood. Akeelah’s aptitude earns her an opportunity to compete for a spot in th! e Scripps National Spelling Bee and in turn unites her neighborhood who witness the courage and inspiration of one amazing little girl.There aren't enough superlatives in the dictionary to describe the excellence of Akeelah and the Bee. Superbly written and directed by Doug Atchison, this PG-rated family drama covers the same dramatic territory as the acclaimed 2002 documentary Spellbound and the 2005 drama Bee Season, but the fictional story of 11-year-old Akeelah Anderson (Keke Palmer) is, if anything, even more entertaining, inspiring, and full of hope for the potential of children everywhere. Although reluctant at first (and fearful of being labeled a "brainiac" by classmates at her under-funded middle school in South Central Los Angeles), Akeelah grows determined to win the district, regional, and ultimately the Scripps National Spelling Bee, aided by the able coaching of an English professor (Laurence Fishburne) who, like Akeelah's overworked sing! le mother (Angela Bassett) is slowly recovering from a devasta! ting per sonal loss. Structured like a conventional sports drama, Akeelah and the Bee rises above its generic trappings to become an uplifting and deeply moving study of friendship, pride, fair play, and above all, the value of self-confidence and realization that there's more to life than winning. As played by the young Palmer in an award-worthy performance, Akeelah is a winner in the best sense of the word, and so is this wonderfully positive movie. --Jeff ShannonDVDSpellbound is the extraordinary documentary that follows eight teenagers on their quest to win the National Spelling Bee competition.Who would have thought that a documentary about spelling-bee contestants could be as suspenseful as a Hitchcock thriller? Spellbound, which follows eight kids from their early victories in regional spelling bees to the national competition in Washington, D.C., is an out-and-out nail-biter. Each of the kids--who range from a quietly driven African American girl from a r! un-down D.C. neighborhood, to a genial Connecticut girl who talks about bringing her au pair to a previous competition, to an almost zombie-like boy whose immigrant father has paid 1,000 people back in India to pray for the boy's success--gets captured so vividly that you can't help but get emotionally immersed in their brave, nerve-wracking struggle to spell slippery, treacherous words. Along the way, Spellbound contrasts the crazily different populations that make up the U.S. and shows how this facet of intelligence truly makes everyone equal on the podium. A riveting, wrenching, must-see movie. --Bret FetzerTwo-time Academy Award® winner Denzel Washington (American Gangster) directs and stars with Academy Award® winner Forest Whitaker (Last King of Scotland) in this important and deeply inspiring page from the not-so-distant past (Richard Roeper, At the Movies with Ebert and Roeper). Inspired by a true story, Washington shines as a brilliant but po! litically radical debate team coach who uses the power of word! s to tra nsform a group of underdog African American college students into an historical powerhouse that took on the Harvard elite. DVD Special Features:

Deleted Scenes
The Great Debaters: An Historical Perspective. That's What My Baby Likes; Music Video.
My Soul Is A Witness; Music Video
Theatrical Trailer
Sneak Peeks: Grace is Gone, Cassandra's Dream, I'm Not There, Hunting PartyInspired by real events, the fascinating The Great Debaters reveals one of the seeds of the Civil Rights Movement in its story of Melvin B. Tolson (Denzel Washington in a captivating performance) and his champion 1935 debate club from the all-African-American Wiley College in Texas. Tolson, a Wiley professor, labor organizer, modernist poet, and much else, runs a rigorous debate program at the school, selecting four students as his team in ’35, among them the future founder of the Congress of Racial Equality, James Farmer Jr. (Denzel Whitaker). Washington, who directed Th! e Great Debaters from a script by Robert Eisele (The Dale Earnhardt Story), anchors the story with the team’s measurable progress, but the film is also about the state of race relations in America at the height of the Great Depression. With lynchings of black men and women a common form of entertainment and black subjugation for many rural whites, the idea of talented and highly intelligent African-American young people learning to think on their feet during debates would seem almost a hopeless endeavor. But that’s not the way Tolson sees it, as his students serve themselves and the cause of racial equality in America with energetic arguments in favor of progressive government and non-violence as a viable social movement. There are some startling moments in this movie, particularly the sight of a man found lynched and burned to death, and an extraordinary moment in which we see black sharecroppers and white farmers engaged with Tolson in arguments about union! izing together. Forest Whitaker is outstanding as Farmer’s e! motional ly-reserved father, also a Wiley professor. This is the kind of film where one hopes two great actors such as the elder Whitaker and Washington will have a scene together, and when it comes it’s as powerful as one might hope. --Tom Keogh
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Minggu, 25 Desember 2011

Philosophy Birthday Girl, 8-Ounce

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Jumat, 16 Desember 2011

Famous Stars and Straps Men's Family Forever Zip Hoody, Heather/White/Black, Medium

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Rabu, 14 Desember 2011

Carancho - Movie Poster - 11 x 17 Inch (28cm x 44cm)

  • This poster may have a border as the image contained may not be 11 x 17 inches.
  • This poster measures approx. 11 x 17 inches from corner to corner.
  • Rolled and shipped in a sturdy tube.
  • This poster is from Carancho (2010)
Sosa (Ricardo Darin, The Secret in Their Eyes) is an ambulance-chasing personal injury attorney with questionable ethics. Lujan (Martina Gusman, Lion's Den) is a young, idealistic country doctor, new to the city. After Lujan and Sosa's paths repeatedly cross, the two form an unlikely romance that is threatened by Sosa s turbulent past. With traffics accidents as the number one cause of deaths in Argentina, bodies are currency and a black market strives to get rich from the personal tragedies that literally litter the streets.(Drama/Thriller) A shy taxidermist who secretly dreams of executing the perfect robbery stumbles upon an opportuni! ty. Caught up in a world of complexities and frightening violence, his lack of experience puts him in real danger. Plus, he is an epileptic. Before each seizure he is visited by the "aura'' -- a paradoxical moment of confusion and enlightenment where the past and future seem to blend. Argentina's official submission, Best Foreign Language Film for the 2006 Academy Awards.The Aura will go down in history as a great film with a tragic loss attached to it. This totally original and deeply involving thriller was the second and final feature film by Fabián Bielinsky, a gifted Argentinian writer-director whose debut feature, Nine Queens, earned global acclaim and introduced Bielinsky as a talent to watch. Sadly, Bielinsky died of a sudden heart attack in June 2006, at age 47, and we'll never know what other great films he might have made. The Aura stands as testament to Bielinsky's masterful skill, on full display in this riveting study of a sad and lonely t! axidermist named Espinosa (played by Ricardo Darín, who was a! lso in < i>Nine Queens) who compensates for his disappointing life by imagining elaborate crimes that he's planned to perfection. When a hunting accident results in the death of a criminal mastermind who'd been planning a casino heist, the taxidermist (who possesses a photographic memory and suffers from occasional blackouts caused by epileptic seizures) assumes the dead man's role, improvising his way through the crime-plot with untrustworthy partners and the constant threat of danger.

The film's title refers to the semi-conscious fugue state that precedes the taxidermist's epileptic seizures, inducing a sense of disorientation and dread that Bielinsky uses to deepen the film's psychological impact. Darín's dour, worried expression is a fascinating focal point for his character's unpredictable journey into the heart of darkness, and The Aura's primary setting, in the thick forest of Patagonia, is a perfect complement to the film's ominous atmosphere and deliberately ! paced intrigue. As far-fetched as it may seem at times, the plot's heightened reality remains utterly convincing, and Bielinsky demonstrates an uncanny knack for escalating suspense in quietly intense situations. From start to finish, The Aura is clearly the work of a filmmaker with seemingly limitless potential, and we can only wonder about the excellent films Bielinsky would have made had he lived. Unfortunately, two slight DVD extras on The Aura give us no insight into Bielinsky's too-short career: the "making of" featurette is very brief and consists primarily of an interview with Ricardo Darín, and the behind-the-scenes musical montage is an equally short and perfunctory assembly of production video set to the moody, electronic tones of Lucio Godoy's subtly effective score. --Jeff ShannonAcademy Award® nominee Javier Bardem is Uxbal, a man on the wrong side of the law who struggles to provide for his children on the dangerous streets of Barcelona! . As fate encircles him, Uxbal learns to accept the realities ! of life, whether bright, bad â€" or biutiful â€" in this unforgettable Academy Award®-nominated film from director Alejandro González Iñárritu (Amores Perros, 21 Grams and Babel).A heartbreakingly direct performance by Javier Bardem anchors Biutiful, a film from Mexican auteur Alejandro González Iñárritu (Babel, 21 Grams). Uxbal (Bardem) is not an admirable man: he's a criminal middleman, helping human traffickers and illicit street peddlers in Barcelona. But in the thick of his corrupt and compromised world, Uxbal strives to do some modest good: he demands heaters for the cold basement where illegal Chinese laborers sleep and he carefully scrapes together money for his children, whom he deeply adores. On top of all this, Uxbal can commune with the recently dead, and tries to pass on reassurance to the bereaved. When Uxbal himself is diagnosed with severe cancer, he desperately tries to leave behind something better for his children. ! This plot summary paints a bleak picture, and there's no question this is--much like Iñárritu's other films, including Amores Perros--an emotionally harrowing experience. But Biutiful is also visually rich and deeply humane, and holds moments of grace that can only be found in sadness and loss. The entire cast brings a fullness of life to all of the characters, no matter how briefly they appear, but Bardem almost never leaves the screen and carries the movie with magnetic force. --Bret FetzerA sensation at the 2010 Cannes Film Festival, Korean director Im Soo-sang's remake of the classic 1960 film is the story of Eun-yi (Jeon Do-yeon, Cannes 2007 Best Actress Award winner for Secret Sunshine), a young innocent hired to care for a wealthy pregnant woman. Eun-yi's presence attracts the amorous attentions of Hoon, the master of the house, and he begins an affair with her. Igniting the jealousy of an older maid who knows many family secrets, Eun-yi quickl! y finds herself in the center of a familial power struggle. Wi! th THE H OUSEMAID Im Soo-sang brings both a keen eye for the dynamics of sex and power and a lush, luxurious sense of style.Taking equal inspiration from the art house and the grind house, The Housemaid is a gorgeous and deliciously perverse showcase of cool, classy Korean cinema. This blend of refined melodrama and tawdry erotica is based on an eponymous 1960 film that's generally regarded as a classic in Korean film history. Even though the term remake doesn't really fit, the plot elements are essentially the same: a young girl is hired to be nanny and maid to a rich, aristocratic couple and ends up leaving both the family and herself in ruins. But director Sang-soo Im skews the sociological fundamentals to make a more pointed commentary on class division by casting the elite employers as the evil corrupters of a blank-slated girl who knows only right and innocence--at first, that is.

Eun-yi (Jeon Do-yeon) joins the household of a slick, wealthy businessman and hi! s very pregnant wife. Under the tutelage of an older housekeeper, Eun-yi performs her duties impeccably and considers herself lucky to have the job. As the elegant tone of the goings-on in these opulent surroundings grows more tense, the husband strays from his wife's bed to Eun-yi's quarters, where he asserts his dominion with masterful entitlement. Her bewilderment quickly melts, and she becomes addicted to his adulterous visitations. But nothing that goes on escapes the eyes of the older housekeeper, or the young wife's evil mother, who turns her daughter into a pawn in an increasingly complex sexual conspiracy. When Eun-yi gets pregnant herself, the simmering pot of melodramatic tension nearly bursts, held in check only by the skill of director Sang-soo Im and a cast that keeps the titillation at a gentle simmer. Because the cruelty and kinkiness are kept so coolly restrained, the Grand Guignol finale comes as that much more of a delirious shock. The film's visual style! celebrates the gothic as well as the flamboyant aspects of th! e story, and is significantly bolstered by the lush production design and supple cinematography. Though couched in an age-old fable of upper-class power and sexual exploitation, The Housemaid makes room for much more in its many tawdry, dark corners. --Ted FryCarancho Carancho Director: Pablo Trapero. Actores: Ricardo Darin, Martina Gusman, Carlos Weber, José Luis Arias, Loren Acuña, Gabriel Almirón. Música: Género: Drama, Thriller. Año: 2010. Duración: 107 min. Nacionalidad: Argentina, Chile, Francia, Corea del Sur. Calificación: NRM 16 años Imagen: Color - PAL - Widescreen 2.35:1 - 16:9. Audio: Español (Dolby Digital 5.1). Subtitulos: No Dispone. Región: 2. Edición: Normal Discos: 1 Distribuidora: Cameo MediaUlrik (Stellan Skarsgard - Good Will Hunting, Mamma Mia!) is a somewhat gentle man, as far as gangsters go. Reluctantly back on the streets following a stint in prison, Ulrik's boss greets him with open arms and a plan to settle an old score. With a demented sense of professional pride, Ulrik's boss sets in motion a plan to right the wrong done to his star employee. The problem is Ulrik would rather go about his own business, however mundane, than get involved with his ragtag colleagues again. This dark feel good comedy delivers laughs and gasps in equal measure.

In Norwegian with English SubtitlesAs the title promises, Stellan Skarsgård plays a somewhat gentle man in this deadpan Norwegian comedy. After 12 years behind bars for murder, Skarsgård's Ulrik, whose ratty ponytail contributes to his sad-sack demeanor, reunites with crime boss Jensen (Bjørn Floberg, Skarsgård's Insomnia nemesis), who sets him up! with a mechanic gig and a rented room. Unfortunately, his favors don't come for free: Jensen expects Ulrik to kill the snitch who reported his crime, except his legit new life keeps getting in the way. First, his stone-faced landlady expects sexual favors for her hospitality, which Ulrik dutifully obliges. Then, he reconnects with his estranged son, whose fiancée is expecting their first child. When the garage manager, who has a heart condition, ends up in the hospital, Ulrik steps in to run the joint with blunt bookkeeper Merete. After he rescues her from an abusive ex, she asks him out. Though his supervisor warned him to keep his dealings with her professional, Ulrik can't resist, thus putting his job in jeopardy. At that point, everything falls apart, and Ulrik grudgingly returns to the criminal life, knowing it will only push his son further away. From start to finish, Skarsgård makes all the right moves, though the script lets him down whenever a depressed woman fl! ings herself at him, resulting in some seriously un-sexy sex s! cenes, b ut Hans Petter Moland, who directed the Swedish actor in Zero Kelvin and Aberdeen, wraps up Ulrik's moral quandary in dramatically satisfying and darkly amusing fashion. --Kathleen C. FennessyMovieGoods has Amazon's largest selection of movie and TV show memorabilia, including posters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed and laminated posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon.

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Fever Pitch (Full Screen Edition)

  • baseball love comedy
  • love comedy
  • drew arrymore, jimmy fallon
According to Red Sox super-fan Ben Wrightman (Jimmy Fallon), finding romance is about as likely as his beloved team winning the World Series. But when Ben scores a beautiful new girlfriend (Drew Barrymore), suddenly anything is possible. Now the two passions in his life have a chance to go all the way... if he doesn't strike out first.The Farrelly brothers continue their good-natured winning streak with Fever Pitch, a romantic comedy charmed by fate and last-minute improvisation. The movie was originally written with a bittersweet ending, but something unexpected happened (kismet, or perhaps divine intervention?) when the Boston Red Sox scored miraculous victories in the 2004 playoffs and World Series, and Drew Barrymore and Jimmy Fallon were there, in character, to celebrate love and baseball as a pair of ami! able lovers who learn to share their lives while accommodating Fallon's life-long passion for the Red Sox. You really have to love baseball to forgive the formulaic romance by veteran Hollywood screenwriters Lowell Ganz and Babaloo Mandel (who also wrote A League of Their Own, and could write this stuff in their sleep), but the codirecting Farrellys make it work, along with the easygoing chemistry of Barrymore and Fallon. The movie bears little resemblance to Nick Hornby's source novel (which was more faithfully adapted as a 1997 British comedy starring Colin Firth), but anyone who enjoyed High Fidelity or About a Boy will recognize Hornby's keen understanding of men and women, and the hazards we all endure when playing the game of love. --Jeff ShannonAccording to Red Sox super-fan Ben Wrightman (Jimmy Fallon), finding romance is about as likely as his beloved team winning the World Series. But when Ben scores a beautiful new girlfriend (Drew Bar! rymore), suddenly anything is possible. Now the two passions i! n his li fe have a chance to go all the way... if he doesn't strike out first.The Farrelly brothers continue their good-natured winning streak with Fever Pitch, a romantic comedy charmed by fate and last-minute improvisation. The movie was originally written with a bittersweet ending, but something unexpected happened (kismet, or perhaps divine intervention?) when the Boston Red Sox scored miraculous victories in the 2004 playoffs and World Series, and Drew Barrymore and Jimmy Fallon were there, in character, to celebrate love and baseball as a pair of amiable lovers who learn to share their lives while accommodating Fallon's life-long passion for the Red Sox. You really have to love baseball to forgive the formulaic romance by veteran Hollywood screenwriters Lowell Ganz and Babaloo Mandel (who also wrote A League of Their Own, and could write this stuff in their sleep), but the codirecting Farrellys make it work, along with the easygoing chemistry of Barrymore and Fall! on. The movie bears little resemblance to Nick Hornby's source novel (which was more faithfully adapted as a 1997 British comedy starring Colin Firth), but anyone who enjoyed High Fidelity or About a Boy will recognize Hornby's keen understanding of men and women, and the hazards we all endure when playing the game of love. --Jeff Shannon
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Veronica Mars: The Complete First Season

  • In the wealthy, seaside community of Neptune, California, the rich and powerful make the rules. Unfortunately for them, there's Veronica Mars, a smart, fearless 17-year-old apprentice private investigator dedicated to solving the town's toughest mysteries. Veronica used to be one of the popular girls, but it all came crumbling down around her after her best friend, Lilly, was murdered, and her the
Eliza Naumann, a seemingly unremarkable nine-year-old, expects never to fit into her gifted family: her autodidact father, Saul, absorbed in his study of Jewish mysticism; her brother, Aaron, the vessel of his father's spiritual ambitions; and her brilliant but distant lawyer-mom, Miriam. But when Eliza sweeps her school and district spelling bees in quick succession, Saul takes it as a sign that she is destined for greatness. In this altered reality, Saul inducts her into his hallowed study and la! vishes upon her the attention previously reserved for Aaron, who in his displacement embarks upon a lone quest for spiritual fulfillment. When Miriam's secret life triggers a familial explosion, it is Eliza who must order the chaos.

Myla Goldberg's keen eye for detail brings Eliza's journey to three-dimensional life. As she rises from classroom obscurity to the blinding lights and outsized expectations of the National Bee, Eliza's small pains and large joys are finely wrought and deeply felt.

Not merely a coming-of-age story, Goldberg's first novel delicately examines the unraveling fabric of one family. The outcome of this tale is as startling and unconventional as her prose, which wields its metaphors sharply and rings with maturity. The work of a lyrical and gifted storyteller, Bee Season marks the arrival of an extraordinarily talented new writer.In Myla Goldberg's outstanding first novel, a family is shaken apart by a small but unexpected shif! t in the prospects of one of its members. When 9-year-old Eli! za Nauma nn, an otherwise indifferent student, takes first prize in her school spelling bee, it is as if rays of light have begun to emanate from her head. Teachers regard her with a new fondness; the studious girls begin to save a place for her at lunch. Even Eliza can sense herself changing. She had "often felt that her outsides were too dull for her insides, that deep within her there was something better than what everyone else could see."

Eliza's father, Saul, a scholar and cantor, had long since given up expecting sparks of brilliance on her part. While her brother, Aaron, had taken pride in reciting his Bar Mitzvah prayers from memory, she had typically preferred television reruns to homework or reading. This belated evidence of a miraculous talent encourages Saul to reassess his daughter. And after she wins the statewide bee, he begins tutoring her for the national competition, devoting to Eliza the hours he once spent with Aaron. His daughter flowers und! er his care, eventually coming to look at life "in alphabetical terms." "Consonants are the camels of language," she realizes, "proudly carrying their lingual loads."

Vowels, however, are a different species, the fish that flash and glisten in the watery depths. Vowels are elastic and inconstant, fickle and unfaithful.... Before the bee, Eliza had been a consonant, slow and unsurprising. With her bee success, she has entered vowelhood.
When Saul sees the state of transcendence that she effortlessly achieves in competition, he encourages his daughter to explore the mystical states that have eluded him--the influx of God-knowledge (shefa) described by the Kabbalist Abraham Abulafia. Although Saul has little idea what he has set in motion, "even the sound of Abulafia's name sets off music in her head. A-bu-la-fi-a. It's magic, the open sesame that unblocked the path to her father and then to language itself."

Meanwh! ile, stunned by his father's defection, Aaron begins a troubli! ng reli gious quest. Eliza's brainy, compulsive mother is also unmoored by her success. The spelling champion's newfound gift for concentration reminds Miriam of herself as a girl, and she feels a pang for not having seen her daughter more clearly before. But Eliza's clumsy response to Miriam's overtures convinces her mother that she has no real ties to her daughter. This final disappointment precipitates her departure into a stunning secret life. The reader is left wondering what would have happened if the Naumanns' spiritual thirsts had not been set in restless motion. A poignant and exceptionally well crafted tale, Bee Season has a slow beginning but a tour-de-force conclusion. --Regina MarlerRichard Gere stars in this gripping tale about a father obsessed with training his talented daughter for the National Spelling Bee. Eliza Naumann (Flora Cross) demonstrates such an amazing gift for spelling any word given to her that her father Saul (Gere) insists on! coaching her himself. But as Eliza's success continues, Saul's newfound devotion grows causing huge changes for the entire family!An intelligent 11-year-old girl holds the key to solving her dysfunctional family's crisis in Bee Season, an intriguing drama that draws heavily on the mysterious power of words. Adapted by Naomi Foner Gyllenhaal (Running on Empty) from the popular novel by Myla Goldberg, this curiously involving movie focuses on the Naumanns, an academically inclined family led by Saul (Richard Gere), a stern father and emotionally distant husband who teaches Jewish theology in Berkeley. Driven to intellectual pursuits and intense study of the Kabbalah (especially its theological emphasis on the mystical importance of words), he barely notices his young daughter Eliza (Flora Cross) until she wins a regional spelling bee. Shifting his favor away from his rebellious son (Max Minghella) and a troubled wife (Juliette Binoche) still traumatized by a pa! st tragedy, Saul invests his paternal pride in Eliza’s spell! ing prow ess, unaware that she’s got some mystical powers of her own. As proven by their acclaimed mystery thriller The Deep End, co-directors Scott McGehee and David Siegel have a knack for Hitchcockian attention to visual details, and with a performance by 12-year-old Flora Cross that’s wise beyond her years, Bee Season unfolds as a uniquely perceptive film about complex human behavior. Not for all tastes (as evident by the mixed reviews it received from critics), but very rewarding for anyone who tunes into its peculiar emotional wavelength. --Jeff Shannon

Twenty years after Celia’s best friend, Djuna, went missing, memories of that terrible day come rushing backâ€"including the lie Celia remembers having told to conceal her role in Djuna’s disappearance. But when Celia returns to her hometown to confess the truth, her family and childhood friends recall that day very differently. As Celia learns more about what may or may not have happened, she beco! mes increasingly uncertain whom she should trust.
 
In The False Friend, Myla Goldbergâ€"bestselling author of Bee Seasonâ€"brilliantly explores the cruelty of children, the unreliability of memory, and the unpredictable forces that shape our adult selves.

Eliza Naumann, a seemingly unremarkable nine-year-old, expects never to fit into her gifted family: her autodidact father, Saul, absorbed in his study of Jewish mysticism; her brother, Aaron, the vessel of his father's spiritual ambitions; and her brilliant but distant lawyer-mom, Miriam. But when Eliza sweeps her school and district spelling bees in quick succession, Saul takes it as a sign that she is destined for greatness. In this altered reality, Saul inducts her into his hallowed study and lavishes upon her the attention previously reserved for Aaron, who in his displacement embarks upon a lone quest for spiritual fulfillment. When Miriam's secret life triggers a familial explosion, it is Eli! za who must order the chaos.

Myla Goldberg's keen e! ye for d etail brings Eliza's journey to three-dimensional life. As she rises from classroom obscurity to the blinding lights and outsized expectations of the National Bee, Eliza's small pains and large joys are finely wrought and deeply felt.

Not merely a coming-of-age story, Goldberg's first novel delicately examines the unraveling fabric of one family. The outcome of this tale is as startling and unconventional as her prose, which wields its metaphors sharply and rings with maturity. The work of a lyrical and gifted storyteller, Bee Season marks the arrival of an extraordinarily talented new writer.


From the Trade Paperback edition.In Myla Goldberg's outstanding first novel, a family is shaken apart by a small but unexpected shift in the prospects of one of its members. When 9-year-old Eliza Naumann, an otherwise indifferent student, takes first prize in her school spelling bee, it is as if rays of light have begun to emanate from her! head. Teachers regard her with a new fondness; the studious girls begin to save a place for her at lunch. Even Eliza can sense herself changing. She had "often felt that her outsides were too dull for her insides, that deep within her there was something better than what everyone else could see."

Eliza's father, Saul, a scholar and cantor, had long since given up expecting sparks of brilliance on her part. While her brother, Aaron, had taken pride in reciting his Bar Mitzvah prayers from memory, she had typically preferred television reruns to homework or reading. This belated evidence of a miraculous talent encourages Saul to reassess his daughter. And after she wins the statewide bee, he begins tutoring her for the national competition, devoting to Eliza the hours he once spent with Aaron. His daughter flowers under his care, eventually coming to look at life "in alphabetical terms." "Consonants are the camels of language," she realizes, "proudly c! arrying their lingual loads."

Vowels, however, ! are a di fferent species, the fish that flash and glisten in the watery depths. Vowels are elastic and inconstant, fickle and unfaithful.... Before the bee, Eliza had been a consonant, slow and unsurprising. With her bee success, she has entered vowelhood.
When Saul sees the state of transcendence that she effortlessly achieves in competition, he encourages his daughter to explore the mystical states that have eluded him--the influx of God-knowledge (shefa) described by the Kabbalist Abraham Abulafia. Although Saul has little idea what he has set in motion, "even the sound of Abulafia's name sets off music in her head. A-bu-la-fi-a. It's magic, the open sesame that unblocked the path to her father and then to language itself."

Meanwhile, stunned by his father's defection, Aaron begins a troubling religious quest. Eliza's brainy, compulsive mother is also unmoored by her success. The spelling champion's newfound gift for concentration remi! nds Miriam of herself as a girl, and she feels a pang for not having seen her daughter more clearly before. But Eliza's clumsy response to Miriam's overtures convinces her mother that she has no real ties to her daughter. This final disappointment precipitates her departure into a stunning secret life. The reader is left wondering what would have happened if the Naumanns' spiritual thirsts had not been set in restless motion. A poignant and exceptionally well crafted tale, Bee Season has a slow beginning but a tour-de-force conclusion. --Regina MarlerEliza Naumann, a seemingly unremarkable nine-year-old, expects never to fit into her gifted family: her autodidact father, Saul, absorbed in his study of Jewish mysticism; her brother, Aaron, the vessel of his father's spiritual ambitions; and her brilliant but distant lawyer-mom, Miriam. But when Eliza sweeps her school and district spelling bees in quick succession, Saul takes it as a sign that she is d! estined for greatness. In this altered reality, Saul inducts h! er into his hallowed study and lavishes upon her the attention previously reserved for Aaron, who in his displacement embarks upon a lone quest for spiritual fulfillment. When Miriam's secret life triggers a familial explosion, it is Eliza who must order the chaos.

Myla Goldberg's keen eye for detail brings Eliza's journey to three-dimensional life. As she rises from classroom obscurity to the blinding lights and outsized expectations of the National Bee, Eliza's small pains and large joys are finely wrought and deeply felt.

Not merely a coming-of-age story, Goldberg's first novel delicately examines the unraveling fabric of one family. The outcome of this tale is as startling and unconventional as her prose, which wields its metaphors sharply and rings with maturity. The work of a lyrical and gifted storyteller, Bee Season marks the arrival of an extraordinarily talented new writer.


From the Trade Paperback edition.Criminal Minds revo! lves around an elite team of FBI profilers who analyze the country's most twisted criminal minds, anticipating their next moves before they strike again. The Behavioral Analysis Unit's most prominent agent is David Rossi (Joe Mantegna), a founding member of the BAU, who returns to help the team solve new cases, while pursuing some unfinished business of his own. Each member brings his or her own area of expertise to the table as they pinpoint predators' motivations and identify their emotional triggers in the attempt to stop them.In the wealthy, seaside community of Neptune, California, the rich and powerful make the rules. Unfortunately for them, there's Veronica Mars, a smart, fearless 17-year-old apprentice private investigator dedicated to solving the town's toughest mysteries. Veronica used to be one of the popular girls, but it all came crumbling down around her after her best friend, Lilly, was murdered, and her then-sheriff father, Keith, was removed from office for! naming Lilly's rich father as the lead suspect. During the da! y, Veron ica must negotiate high school like any average teenage girl. But at night, she helps with her father's struggling, new private investigator business--and what she finds may tear the town of Neptune apart at the seams.

DVD Features:
Deleted Scenes
Extended takes
Gag Reel

The smartest high school drama since Buffy the Vampire Slayer, Veronica Mars is The O.C. as penned by Raymond Chandler. Veronica (Kristen Bell, Deadwood) is Nancy Drew by way of Lauren Bacall, while Neptune makes Peyton Place look like Mayberry. The first season begins in the aftermath of a dizzying array of cataclysmic events: Her best friend, Lilly (Amanda Seyfried), was murdered, her sheriff father was fired over his handling of the case, she was sexually assaulted, and her mother left. Since then, Keith Mars (Enrico Colantoni, Just Shoot Me) has become a private eye and drafted Veronica as his assistant. She may lack Buffy'! s physical prowess, but the "tiny blonde one" turns out to have a special talent for sleuthing. In the wake of her sophomore year, the popular crowd abandoned Veronica--even boyfriend Duncan (Teddy Dunn), Lilly's brother. (Hence the theme song: "We Used to Be Friends.") Veronica is on her own until she meets Wallace (Percy Daggs III), the only student unfamiliar with her past, unlike Duncan's sarcastic pal, Logan (Jason Dohring), one of her more ardent foes. He was Lilly's boyfriend and his father is movie star Aaron Echolls (Harry Hamlin). By the end of her junior year, Veronica and Logan will make their peace, but it won't be so easy to win over the school--let alone the town. Throughout the season, Veronica will solve several mysteries both big and small--including the murder of Lilly Kane. But a few questions remain. For instance, at the end of the season finale, Veronica opens the door to greet an unseen visitor with "I was hoping it would be you." So who was it? For! tunately, UPN renewed the critically acclaimed (if ratings cha! llenged) teen noir and that tantalizing question will be answered in the second season premiere. --Kathleen C. Fennessy
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Minggu, 11 Desember 2011

Goal! - The Dream Begins

  • Like the inspiring heroes in MIRACLE, REMEMBER THE TITANS, and THE ROOKIE, the amazingly gifted Santiago Mu ez, a young immigrant living in the barrios of Los Angeles, has an impossible dream -- to play soccer for a world team. Unexpectedly getting a tryout with one of England's premier soccer clubs, Newcastle United, Santiago finds himself totally alone in a world where soccer is a religion a
Like the inspiring heroes in MIRACLE, REMEMBER THE TITANS, and THE ROOKIE, the amazingly gifted Santiago Mu?ez, a young immigrant living in the barrios of Los Angeles, has an impossible dream -- to play soccer for a world class team. Unexpectedly getting a tryout with one of England's premier soccer clubs, Newcastle United, Santiago finds himself totally alone in a world where soccer is a religion and the players are gods. Now he not only has to prove he has the passion, talent, and determination to mak! e it alongside the best in the world, but he has to overcome his own demons and those of others. Filled with memorable characters, great heart, and real-life soccer legends, GOAL! THE DREAM BEGINS is a triumphant story about believing in your dreams.You'd have to be a heartless curmudgeon to dislike a movie as enjoyably sincere as Goal! The Dream Begins. Yes, the corny title tells you all you need to know about this rags-to-riches soccer tale, but like Hoosiers and Rudy, this conventional sports drama rises above its familiar plot with an engaging cast and some pleasant surprises along the way. The first in a proposed trilogy that will follow young Santiago Munez (Kuno Becker) as he rises to prominence in the competitive world of British soccer, this one begins by showing how Santiago, an undocumented immigrant in Los Angeles, attracts the attention of a talent scout (Stephen Dillane), who arranges a tryout for England's prestigious team, Newcastle Unit! ed. It's rough going for a beleaguered trainee who suffers fro! m asthma , but soon Santiago is befriended by a hard-partying soccer star (Alessandro Nivola) and he's on his way to reaching his…Goal! It's all very inevitable, but director Danny Cannon makes the most of this inspiring story by exploiting the unexpected subtleties in an otherwise predictable screenplay: Santigo's relationship with his seemingly unsupportive father (Tony Plana) gains additional resonance as the story unfolds; a local nurse (Anna Friel) turns out to be more than a routine love interest; and Newcastle's German manager (Marcel Iures) is a wry, colorful character who works miracles with his unruly squad of players. Add some obligatory cameo appearances by real-life soccer stars including (of course) the great David Beckham, and you've got a modest, likable hit that delivers exactly what it promises, and a little bit more. --Jeff Shannon
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The Devil in the White City: Murder, Magic, and Madness at the Fair that Changed America

  • ISBN13: 9780375725609
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Trapped in an elevator high above Philadelphia, five people discover that the Devil is among them â€" and no one can escape their fate. This chilling, supernatural thriller from M. Night Shyamalan (The Sixth Sense, Signs) will keep you on the edge of your seat all the way to a heart-stopping ending with a truly wicked twist.Five people trapped in an elevator, and one of them is the Devil--it's an intriguing launch pad for a movie, and in the hands of producer M. Night Shyamalan, it has all the makings of a first-class supernatural thriller. Unfortunately, Shyamalan's concern is more with the mechanics of the story--how to pull off that celebrated final-act switcheroo--than in presenting flesh-an! d-blood characters or dialogue that reeks of pulp. There's a moral high-handedness to the proceedings that's also off-putting--there's a reason why these five strangers are trapped in the lift, and why Detective Messina (the very likable Chris Messina from Julie & Julia) is summoned to rescue them, and why every character is set in motion in Shyamalan's Skinner box of a plot, but it hinges on very well-worn territory, which bites deeply into the story's novel conceit. The cast is uniformly fine--in addition to Messina, there are fine turns by such underrated actors as Bokeem Woodbine, Jenny O'Hara, Geoffrey Arend (in the elevator), and Matt Craven and Caroline Dhavernas (outside)--and the direction by John Erick Dowdle (Quarantine), who coproduced with brother Drew and Shyamalan, does an impressive job of keeping the action fluid in the confines of the setting. But the central conceit of Devil is comic book material tarted up as an event picture, which ! doesn't elicit much hope for the rest of Shyamalan's Night ! Chronicl es trilogy, of which this is the first entry. --Paul GaitaTrapped in an elevator high above Philadelphia, five people discover that the Devil is among them â€" and no one can escape their fate. This chilling, supernatural thriller from M. Night Shyamalan (The Sixth Sense, Signs) will keep you on the edge of your seat all the way to a heart-stopping ending with a truly wicked twist.Five people trapped in an elevator, and one of them is the Devil--it's an intriguing launch pad for a movie, and in the hands of producer M. Night Shyamalan, it has all the makings of a first-class supernatural thriller. Unfortunately, Shyamalan's concern is more with the mechanics of the story--how to pull off that celebrated final-act switcheroo--than in presenting flesh-and-blood characters or dialogue that reeks of pulp. There's a moral high-handedness to the proceedings that's also off-putting--there's a reason why these five strangers are trapped in the lift, and why Detecti! ve Messina (the very likable Chris Messina from Julie & Julia) is summoned to rescue them, and why every character is set in motion in Shyamalan's Skinner box of a plot, but it hinges on very well-worn territory, which bites deeply into the story's novel conceit. The cast is uniformly fine--in addition to Messina, there are fine turns by such underrated actors as Bokeem Woodbine, Jenny O'Hara, Geoffrey Arend (in the elevator), and Matt Craven and Caroline Dhavernas (outside)--and the direction by John Erick Dowdle (Quarantine), who coproduced with brother Drew and Shyamalan, does an impressive job of keeping the action fluid in the confines of the setting. But the central conceit of Devil is comic book material tarted up as an event picture, which doesn't elicit much hope for the rest of Shyamalan's Night Chronicles trilogy, of which this is the first entry. --Paul Gaita

Erik Larsonâ€"author of #1 bestseller In the Garden of Beastsâ€"intertwines the true tale of the 1893 World's Fair and t! he cunni ng serial killer who used the fair to lure his victims to their death. Combining meticulous research with nail-biting storytelling, Erik Larson has crafted a narrative with all the wonder of newly discovered history and the thrills of the best fiction.

Author Erik Larson imbues the incredible events surrounding the 1893 Chicago World's Fair with such drama that readers may find themselves checking the book's categorization to be sure that The Devil in the White City is not, in fact, a highly imaginative novel. Larson tells the stories of two men: Daniel H. Burnham, the architect responsible for the fair's construction, and H.H. Holmes, a serial killer masquerading as a charming doctor. Burnham's challenge was immense. In a short period of time, he was forced to overcome the death of his partner and numerous other obstacles to construct the famous "White City" around which the fair was built. His efforts to complete the project, and the fair's incredible success, ar! e skillfully related along with entertaining appearances by such notables as Buffalo Bill Cody, Susan B. Anthony, and Thomas Edison. The activities of the sinister Dr. Holmes, who is believed to be responsible for scores of murders around the time of the fair, are equally remarkable. He devised and erected the World's Fair Hotel, complete with crematorium and gas chamber, near the fairgrounds and used the event as well as his own charismatic personality to lure victims. Combining the stories of an architect and a killer in one book, mostly in alternating chapters, seems like an odd choice but it works. The magical appeal and horrifying dark side of 19th-century Chicago are both revealed through Larson's skillful writing. --John Moe
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Blade Trinity (Unrated Version)

  • The final battle begins and the trinity comes to an end! Blade is back and his enemies have grown in number since they resurrected their king, Dracula. Together with a new group of vampire hunters, called the Nightstalkers, led by Whistler's strong but beautiful daughter Abigail and the wise-cracking Hannibal, they must finally defeat the vampires or face inevitable extinction.Running Time: 123 mi
The final battle begins and the trinity comes to an end! Blade is back and his enemies have grown in number since they resurrected their king, Dracula. Together with a new group of vampire hunters, called the Nightstalkers, led by Whistler's strong but beautiful daughter Abigail and the wise-cracking Hannibal, they must finally defeat the vampires or face inevitable extinction.Even skeptical fans of the Blade franchise will enjoy sinking their teeth into Blade: Trinity. The law of dimi! nishing returns is in full effect here, and the franchise is wearing out its welcome, but let's face it: any movie that features Jessica Biel as an ass-kicking vampire slayer and Parker Posey--yes, Parker Posey!--as a vamping vampire villainess can't be all bad, right? Those lovely ladies bring equal measures of relief and grief to Blade, the half-human, half-vampire once again played, with tongue more firmly in stone-cold cheek, by Wesley Snipes. With series writer David S. Goyer in the director's chair, the film is calculated for mainstream appeal, trading suspenseful horror for campy humor and choppy, nonsensical action. The franchise still offers some intriguing ideas, however, including Drake (Dominic Purcell), the original vampire, whose blood contains the secret that could destroy all blood-suckers in a plot that incorporates a sinister "blood farm" where humans are held--and drained--in suspended animation. And Biel's wise-cracking sidekick (Ryan Reynolds) in her ca! dre of "Nightstalkers" provides comic relief in a series that'! s grown increasingly dour. All of which makes Blade: Trinity a love-it-or-hate-it sequel... supposedly the last in a trilogy, but the ending suggests otherwise. --Jeff Shannon
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Senin, 05 Desember 2011

District B13

  • In this action packed film set in the ghettos of Paris in 2010, an undercover cop and ex-thug try to infiltrate a gang in order to defuse a neutron bomb. Format: DVD MOVIE Genre: FOREIGN Rating: NR Age: 876964000208 UPC: 876964000208 Manufacturer No: 10020
In this action packed film set in the ghettos of Paris in 2010, an undercover cop and ex-thug try to infiltrate a gang in order to defuse a neutron bomb.For eye-popping kinetic thrills, District B13 tops the class. In the near future, the worst ghettos of Paris have been walled in and left to rot. When a neutron bomb gets stolen by a criminal kingpin in seedy District B13, Damien--a cop who specializes in deep cover assignments (Cyril Raffaelli, a stuntman turned actor)--has to team up with Leito (David Belle), who grew up in the district and has his own reason for going back: the kingpin kidnapped his sister (tough yet adorable! gamine Dany Verissimo). The plot takes a few preposterous turns, but it's beside the point--every turn serves only to maintain the relentless flow of sheer physical prowess. Belle is one of the inventors of a sport called parkour, which treats a city's architecture like an obstacle course; while running from gun-toting thugs, Leito leaps, bounds, and scrambles up and down buildings with astonishing grace. The fight sequences are just as down-to-earth yet over-the-top as Damien whirls, kicks, and crunches through armies of bad guys. Just as important is the tongue-in-cheek tone that never turns smirky; the movie doesn't take itself seriously, but doesn't mock itself or its basic cinematic pleasures. Anyone looking for a break from the overbearing CGI and self-important pomp of Hollywood action movies should watch District B13. --Bret Fetzer
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Minggu, 04 Desember 2011

Hurley Juniors Surf Company Short-Sleeve T-Shirt, Heather Grey, Small

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Sabtu, 03 Desember 2011

Barbie Pink 3-Story Dream Townhouse

  • Include a pink personal elevator, and lights and sounds on every level!
  • Roaring fireplace and pop up flat screen tv
  • Ultra-luxurious Barbie signature bathroom
  • Charming light-up tiki lights and outdoor whirlpool tub
  • Sounds include doorbell, kitchen timer, crackling fireplace, shower humming, and flushing toilet.
DREAM HOME - DVD MovieEnter the world of Barbie! These three stories of fabulousness include a pink personal elevator plus lights & sounds on every level! Enter through the front door to a warm and glowing light-up chandelier, dining area and fully-stocked kitchen. Entertain in the second-level living room with roaring fireplace and pop up flat screen TV, plus an ultra-luxurious Barbie signature bathroom. On the third floor is a posh bedroom suite with canopy bed and balcony with charming light-up tiki lights & outdoor whirlpool tub! Sounds include doorbe! ll, kitchen timer, crackling fireplace, shower humming, and flushing toilet. (Doll not included.)Be a part of Barbie's luxurious lifestyle in her new 3-Story Dream Townhouse. Designed for ages three and up, the Dream Townhouse stands over three feet tall and comes fully furnished -- including lights and sounds on each level! Your child will enjoy having role-playing adventures with Barbie and her friends in this fancy new townhouse.





At a Glance
    Ages: 3+
    Requires:
  • 3 "AA" batteries (not included)
  • Phillips screwdriver
  • Adult assembly
What We Think

Fun factor:
Durability:
Ease of assembly:
Educ! ational factor:
Novelty factor:

The Good: Great new Dream Townhouse for the Barbie lover in your home.

The Challenging: Many of the elevator parts are similar and can be confusing.

In a Nutshell: Fun, new Barbie dream home with plenty of lights, sounds, and activities.


The Dream Townhouse is over three feet in height and comes ! with over 55 pieces and accessories. View larger.

Real Sounds and Lights
Barbie's Dream Townhouse is decorated throughout in classic Barbie pink, with lifelike intricate details, lights, and sounds. With over 55 pieces and accessories, the house has five fully furnished, deluxe rooms with chandeliers, tiki lights, a fireplace, and a refrigerator that all light up. Sounds include Barbie "humming" in the shower, the kitchen timer, the doorbell, the fireplace crackling, or the toilet flushing.

Along with the realistic lights and sounds, the townhouse also features a pink, personal elevator -- which easily moves from floor to floor with a pull string, and an outdoor spa area with a whirlpool tub and light-up tiki lamps.

Besides the whirlpool, Barbie can entertain her friends by cooking something in the fully stocked kitchen, watching a movie on her pop-up flat-screen TV, or even just snuggling up by the warm, crackling fireplace.

Hours of Interactive, Role-playing Fun Barbie's 3-Story Dream Townhouse is the play-set for the Barbie lover in your home. The townhouse provides a setting for interactive, role-playing adventures, and includes everything Barbie could need to entertain her guests, or have a quiet night at home by the fire. Your child will love pulling the elevator to each floor, filling up the whirlpool for pool parties, and playing with all of the realistic lights and sounds.

As a side note: While assembling the townhouse, be sure to follow the directions for the elevator carefully, since the parts look similar and could be confusing.

What's in the Box
House pieces, stickers, and over 55 pieces and accessories. (Batteries not included.)




Fall asleep in the luxurious ma! ster bedroom... View larger. 		!

...or take a dip in the working jacuzzi. View larger.


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