- In the wealthy, seaside community of Neptune, California, the rich and powerful make the rules. Unfortunately for them, there's Veronica Mars, a smart, fearless 17-year-old apprentice private investigator dedicated to solving the town's toughest mysteries. Veronica used to be one of the popular girls, but it all came crumbling down around her after her best friend, Lilly, was murdered, and her the
Eliza Naumann, a seemingly unremarkable nine-year-old, expects never to fit into her gifted family: her autodidact father, Saul, absorbed in his study of Jewish mysticism; her brother, Aaron, the vessel of his father's spiritual ambitions; and her brilliant but distant lawyer-mom, Miriam. But when Eliza sweeps her school and district spelling bees in quick succession, Saul takes it as a sign that she is destined for greatness. In this altered reality, Saul inducts her into his hallowed study and la! vishes upon her the attention previously reserved for Aaron, who in his displacement embarks upon a lone quest for spiritual fulfillment. When Miriam's secret life triggers a familial explosion, it is Eliza who must order the chaos.
Myla Goldberg's keen eye for detail brings Eliza's journey to three-dimensional life. As she rises from classroom obscurity to the blinding lights and outsized expectations of the National Bee, Eliza's small pains and large joys are finely wrought and deeply felt.
Not merely a coming-of-age story, Goldberg's first novel delicately examines the unraveling fabric of one family. The outcome of this tale is as startling and unconventional as her prose, which wields its metaphors sharply and rings with maturity. The work of a lyrical and gifted storyteller,
Bee Season marks the arrival of an extraordinarily talented new writer.In Myla Goldberg's outstanding first novel, a family is shaken apart by a small but unexpected shif! t in the prospects of one of its members. When 9-year-old Eli! za Nauma nn, an otherwise indifferent student, takes first prize in her school spelling bee, it is as if rays of light have begun to emanate from her head. Teachers regard her with a new fondness; the studious girls begin to save a place for her at lunch. Even Eliza can sense herself changing. She had "often felt that her outsides were too dull for her insides, that deep within her there was something better than what everyone else could see."
Eliza's father, Saul, a scholar and cantor, had long since given up expecting sparks of brilliance on her part. While her brother, Aaron, had taken pride in reciting his Bar Mitzvah prayers from memory, she had typically preferred television reruns to homework or reading. This belated evidence of a miraculous talent encourages Saul to reassess his daughter. And after she wins the statewide bee, he begins tutoring her for the national competition, devoting to Eliza the hours he once spent with Aaron. His daughter flowers und! er his care, eventually coming to look at life "in alphabetical terms." "Consonants are the camels of language," she realizes, "proudly carrying their lingual loads."
Vowels, however, are a different species, the fish that flash and glisten in the watery depths. Vowels are elastic and inconstant, fickle and unfaithful.... Before the bee, Eliza had been a consonant, slow and unsurprising. With her bee success, she has entered vowelhood.
When Saul sees the state of transcendence that she effortlessly achieves in competition, he encourages his daughter to explore the mystical states that have eluded him--the influx of God-knowledge (
shefa) described by the Kabbalist Abraham Abulafia. Although Saul has little idea what he has set in motion, "even the sound of Abulafia's name sets off music in her head. A-bu-la-fi-a. It's magic, the open sesame that unblocked the path to her father and then to language itself."
Meanwh! ile, stunned by his father's defection, Aaron begins a troubli! ng reli gious quest. Eliza's brainy, compulsive mother is also unmoored by her success. The spelling champion's newfound gift for concentration reminds Miriam of herself as a girl, and she feels a pang for not having seen her daughter more clearly before. But Eliza's clumsy response to Miriam's overtures convinces her mother that she has no real ties to her daughter. This final disappointment precipitates her departure into a stunning secret life. The reader is left wondering what would have happened if the Naumanns' spiritual thirsts had not been set in restless motion. A poignant and exceptionally well crafted tale, Bee Season has a slow beginning but a tour-de-force conclusion. --Regina MarlerRichard Gere stars in this gripping tale about a father obsessed with training his talented daughter for the National Spelling Bee. Eliza Naumann (Flora Cross) demonstrates such an amazing gift for spelling any word given to her that her father Saul (Gere) insists on! coaching her himself. But as Eliza's success continues, Saul's newfound devotion grows causing huge changes for the entire family!An intelligent 11-year-old girl holds the key to solving her dysfunctional family's crisis in Bee Season, an intriguing drama that draws heavily on the mysterious power of words. Adapted by Naomi Foner Gyllenhaal (Running on Empty) from the popular novel by Myla Goldberg, this curiously involving movie focuses on the Naumanns, an academically inclined family led by Saul (Richard Gere), a stern father and emotionally distant husband who teaches Jewish theology in Berkeley. Driven to intellectual pursuits and intense study of the Kabbalah (especially its theological emphasis on the mystical importance of words), he barely notices his young daughter Eliza (Flora Cross) until she wins a regional spelling bee. Shifting his favor away from his rebellious son (Max Minghella) and a troubled wife (Juliette Binoche) still traumatized by a pa! st tragedy, Saul invests his paternal pride in Eliza’s spell! ing prow ess, unaware that she’s got some mystical powers of her own. As proven by their acclaimed mystery thriller The Deep End, co-directors Scott McGehee and David Siegel have a knack for Hitchcockian attention to visual details, and with a performance by 12-year-old Flora Cross that’s wise beyond her years, Bee Season unfolds as a uniquely perceptive film about complex human behavior. Not for all tastes (as evident by the mixed reviews it received from critics), but very rewarding for anyone who tunes into its peculiar emotional wavelength. --Jeff Shannon
Twenty years after Celia’s best friend, Djuna, went missing, memories of that terrible day come rushing backâ€"including the lie Celia remembers having told to conceal her role in Djuna’s disappearance. But when Celia returns to her hometown to confess the truth, her family and childhood friends recall that day very differently. As Celia learns more about what may or may not have happened, she beco! mes increasingly uncertain whom she should trust.
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In The False Friend, Myla Goldbergâ€"bestselling author of Bee Seasonâ€"brilliantly explores the cruelty of children, the unreliability of memory, and the unpredictable forces that shape our adult selves.
Eliza Naumann, a seemingly unremarkable nine-year-old, expects never to fit into her gifted family: her autodidact father, Saul, absorbed in his study of Jewish mysticism; her brother, Aaron, the vessel of his father's spiritual ambitions; and her brilliant but distant lawyer-mom, Miriam. But when Eliza sweeps her school and district spelling bees in quick succession, Saul takes it as a sign that she is destined for greatness. In this altered reality, Saul inducts her into his hallowed study and lavishes upon her the attention previously reserved for Aaron, who in his displacement embarks upon a lone quest for spiritual fulfillment. When Miriam's secret life triggers a familial explosion, it is Eli! za who must order the chaos.
Myla Goldberg's keen e! ye for d etail brings Eliza's journey to three-dimensional life. As she rises from classroom obscurity to the blinding lights and outsized expectations of the National Bee, Eliza's small pains and large joys are finely wrought and deeply felt.
Not merely a coming-of-age story, Goldberg's first novel delicately examines the unraveling fabric of one family. The outcome of this tale is as startling and unconventional as her prose, which wields its metaphors sharply and rings with maturity. The work of a lyrical and gifted storyteller,
Bee Season marks the arrival of an extraordinarily talented new writer.
From the Trade Paperback edition.In Myla Goldberg's outstanding first novel, a family is shaken apart by a small but unexpected shift in the prospects of one of its members. When 9-year-old Eliza Naumann, an otherwise indifferent student, takes first prize in her school spelling bee, it is as if rays of light have begun to emanate from her! head. Teachers regard her with a new fondness; the studious girls begin to save a place for her at lunch. Even Eliza can sense herself changing. She had "often felt that her outsides were too dull for her insides, that deep within her there was something better than what everyone else could see."
Eliza's father, Saul, a scholar and cantor, had long since given up expecting sparks of brilliance on her part. While her brother, Aaron, had taken pride in reciting his Bar Mitzvah prayers from memory, she had typically preferred television reruns to homework or reading. This belated evidence of a miraculous talent encourages Saul to reassess his daughter. And after she wins the statewide bee, he begins tutoring her for the national competition, devoting to Eliza the hours he once spent with Aaron. His daughter flowers under his care, eventually coming to look at life "in alphabetical terms." "Consonants are the camels of language," she realizes, "proudly c! arrying their lingual loads."
Vowels, however, ! are a di fferent species, the fish that flash and glisten in the watery depths. Vowels are elastic and inconstant, fickle and unfaithful.... Before the bee, Eliza had been a consonant, slow and unsurprising. With her bee success, she has entered vowelhood.
When Saul sees the state of transcendence that she effortlessly achieves in competition, he encourages his daughter to explore the mystical states that have eluded him--the influx of God-knowledge (
shefa) described by the Kabbalist Abraham Abulafia. Although Saul has little idea what he has set in motion, "even the sound of Abulafia's name sets off music in her head. A-bu-la-fi-a. It's magic, the open sesame that unblocked the path to her father and then to language itself."
Meanwhile, stunned by his father's defection, Aaron begins a troubling religious quest. Eliza's brainy, compulsive mother is also unmoored by her success. The spelling champion's newfound gift for concentration remi! nds Miriam of herself as a girl, and she feels a pang for not having seen her daughter more clearly before. But Eliza's clumsy response to Miriam's overtures convinces her mother that she has no real ties to her daughter. This final disappointment precipitates her departure into a stunning secret life. The reader is left wondering what would have happened if the Naumanns' spiritual thirsts had not been set in restless motion. A poignant and exceptionally well crafted tale, Bee Season has a slow beginning but a tour-de-force conclusion. --Regina MarlerEliza Naumann, a seemingly unremarkable nine-year-old, expects never to fit into her gifted family: her autodidact father, Saul, absorbed in his study of Jewish mysticism; her brother, Aaron, the vessel of his father's spiritual ambitions; and her brilliant but distant lawyer-mom, Miriam. But when Eliza sweeps her school and district spelling bees in quick succession, Saul takes it as a sign that she is d! estined for greatness. In this altered reality, Saul inducts h! er into his hallowed study and lavishes upon her the attention previously reserved for Aaron, who in his displacement embarks upon a lone quest for spiritual fulfillment. When Miriam's secret life triggers a familial explosion, it is Eliza who must order the chaos.
Myla Goldberg's keen eye for detail brings Eliza's journey to three-dimensional life. As she rises from classroom obscurity to the blinding lights and outsized expectations of the National Bee, Eliza's small pains and large joys are finely wrought and deeply felt.
Not merely a coming-of-age story, Goldberg's first novel delicately examines the unraveling fabric of one family. The outcome of this tale is as startling and unconventional as her prose, which wields its metaphors sharply and rings with maturity. The work of a lyrical and gifted storyteller, Bee Season marks the arrival of an extraordinarily talented new writer.
From the Trade Paperback edition.Criminal Minds revo! lves around an elite team of FBI profilers who analyze the country's most twisted criminal minds, anticipating their next moves before they strike again. The Behavioral Analysis Unit's most prominent agent is David Rossi (Joe Mantegna), a founding member of the BAU, who returns to help the team solve new cases, while pursuing some unfinished business of his own. Each member brings his or her own area of expertise to the table as they pinpoint predators' motivations and identify their emotional triggers in the attempt to stop them.In the wealthy, seaside community of Neptune, California, the rich and powerful make the rules. Unfortunately for them, there's Veronica Mars, a smart, fearless 17-year-old apprentice private investigator dedicated to solving the town's toughest mysteries. Veronica used to be one of the popular girls, but it all came crumbling down around her after her best friend, Lilly, was murdered, and her then-sheriff father, Keith, was removed from office for! naming Lilly's rich father as the lead suspect. During the da! y, Veron ica must negotiate high school like any average teenage girl. But at night, she helps with her father's struggling, new private investigator business--and what she finds may tear the town of Neptune apart at the seams.
DVD Features:
Deleted Scenes
Extended takes
Gag Reel
The smartest high school drama since
Buffy the Vampire Slayer,
Veronica Mars is
The O.C. as penned by Raymond Chandler. Veronica (Kristen Bell,
Deadwood) is Nancy Drew by way of Lauren Bacall, while Neptune makes Peyton Place look like Mayberry. The first season begins in the aftermath of a dizzying array of cataclysmic events: Her best friend, Lilly (Amanda Seyfried), was murdered, her sheriff father was fired over his handling of the case, she was sexually assaulted, and her mother left. Since then, Keith Mars (Enrico Colantoni,
Just Shoot Me) has become a private eye and drafted Veronica as his assistant. She may lack Buffy'! s physical prowess, but the "tiny blonde one" turns out to have a special talent for sleuthing. In the wake of her sophomore year, the popular crowd abandoned Veronica--even boyfriend Duncan (Teddy Dunn), Lilly's brother. (Hence the theme song: "We Used to Be Friends.") Veronica is on her own until she meets Wallace (Percy Daggs III), the only student unfamiliar with her past, unlike Duncan's sarcastic pal, Logan (Jason Dohring), one of her more ardent foes. He was Lilly's boyfriend and his father is movie star Aaron Echolls (Harry Hamlin). By the end of her junior year, Veronica and Logan will make their peace, but it won't be so easy to win over the school--let alone the town. Throughout the season, Veronica will solve several mysteries both big and small--including the murder of Lilly Kane. But a few questions remain. For instance, at the end of the season finale, Veronica opens the door to greet an unseen visitor with "I was hoping it would be you." So who was it? For! tunately, UPN renewed the critically acclaimed (if ratings cha! llenged) teen noir and that tantalizing question will be answered in the second season premiere.
--Kathleen C. Fennessy
