Jumat, 13 Januari 2012

Cloud b Twilight Constellation Night Light, Turtle

  • Transforms nurseries and bedrooms into a starry sanctuary that comforts and calms children
  • Projects a complete starry night sky onto the walls and ceiling of any room; Dimensions: 14" long, 5" tall
  • Three soothing color options blue, green and amber to create magical, tranquil environments
  • Auto shut-off; 45 minutes sleep timer
  • Includes three AAA batteries; Ideal for ages 2 to adult
Comforting and adorable, the Twilight Turtle nightlight projects a complete starry night sky onto the walls and ceiling of any room, making night-time less scary and more fun. Choose from three soothing color options to create a magical, tranquil environment that helps children from age three and up to ease into restful sleep.

The Twilight Turtle offers:
  • Projection of starry night sky for tranquil sleep.
  • Hand-painted details contribute to an artisti! c look.
  • Three soothing color choices.
  • Illustrated Star! Guide h elps identify constellations.


The soft glow also serves as a night light.


Project the night sky in your child's bedroom for a magical, tranquil sleep. View larger.
Artful, Soothing and Educational
The winner of several industry awards, including the Editor's Choice blue ribbon from Baby Talk, each Twilight Turtle is individually hand painted for a unique, artful look that complements any nursery or children's room. Plush and soft, with a sturdy p! lastic shell, this nightlight is best placed on the floor in the center of the room, where it projects a starry night sky onto the ceiling and walls. For interactive fun, parents can also sit with their children and identify and describe the features of eight major constellations, including the Big Dipper and the Big Bear, with the help of the beautifully illustrated Star Guide. The Twilight Turtle also includes a warm-hearted story about how Twilight Turtle, separated from his father, uses the constellations to find his way home.

User-Friendly Operation
Simply pressing the button on the turtle's shell ignites the stars and keeps them glowing for a full 45 minutes--just enough time for most children to drift into sleep. At this point, the Twilight Turtle automatically shuts off to preserve battery life. Another push of the button reactivates the projection. In addition, the easy selection of the three soothing color choices allows your child not only to learn! to identify different colors, but also to truly experience th! em as we ll. Amber radiates warmth and peace; green creates a healing and renewing atmosphere; and blue helps calm the senses. The soft, illuminating glow the Twilight Turtle emits also serves as a nightlight that makes the darkness less frightening.

Makes a Great Gift
A great gift for children who are afraid of the dark, or even adults who have trouble falling asleep, the Twilight Turtle runs on three "AAA" batteries (included). It also comes with a certification of adoption, and measures a compact 14.0 x 5.0 inches (WxH), so it's easy to display and store.

About Cloud b
Cloud b, the baby sleep specialist, was established by two new mothers with the philosophy that every baby deserves a sound night's sleep for healthy development. That's why all of Cloud b's products are developed in consultation with an advisory board of pediatricians and sleep specialists with a single focus: to achieve a better, safer sleep for baby.

What's in the Box
! Twilight Turtle, Constellation Guide, adoption certificate and three "AAA" batteries.

Also available:
Twilight Ladybug


Breakdown, Breakthrough: The Professional Woman's Guide to Claiming a Life of Passion, Power, and Purpose

  • ISBN13: 9781576755594
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Carmilla, Queen of the Night, is a shape-shifting raven whose fictional exploits thrill girls all over the world. When tweens in Chicago's Carmilla Club hold an initiation ritual in an abandoned cemetery, they stumble on an actual corpse, a man stabbed through the heart in a vampire-style slaying.

The girls include daughters of some of Chicago's most powerful families: The grandfather of one, Chaim Salanter, is one of the world's wealthiest men; the mother of another, Sophy Durango, is the Illinois Democratic candidate for Senate.

For V. I. Warshawski, the questions multiply faster than the answers. Is the killing linked to a hostile media campaign against Sophy Durango? Or to Chai! m Salanter's childhood in Nazi-occupied Lithuania? As V.I. struggles for answers, she finds herself fighting enemies who are all too human.

Carmilla, Queen of the Night, is a shape-shifting raven whose fictional exploits thrill girls all over the world. When tweens in Chicago's Carmilla Club hold an initiation ritual in an abandoned cemetery, they stumble on an actual corpse, a man stabbed through the heart in a vampire-style slaying.

The girls include daughters of some of Chicago's most powerful families: The grandfather of one, Chaim Salanter, is one of the world's wealthiest men; the mother of another, Sophy Durango, is the Illinois Democratic candidate for Senate.

For V. I. Warshawski, the questions multiply faster than the answers. Is the killing linked to a hostile media campaign against Sophy Durango? Or to Chaim Salanter's childhood in Nazi-occupied Lithuania? As V.I. struggles for answers, she finds herself fighting enemies who are all too hu! man.



Carmilla, Queen of the Night, is a shape-s! hifting raven whose fictional exploits thrill girls all over the world. When tweens in Chicago's Carmilla Club hold an initiation ritual in an abandoned cemetery, they stumble on an actual corpse, a man stabbed through the heart in a vampire-style slaying.

The girls include daughters of some of Chicago's most powerful families: The grandfather of one, Chaim Salanter, is one of the world's wealthiest men; the mother of another, Sophy Durango, is the Illinois Democratic candidate for Senate.

For V. I. Warshawski, the questions multiply faster than the answers. Is the killing linked to a hostile media campaign against Sophy Durango? Or to Chaim Salanter's childhood in Nazi-occupied Lithuania? As V.I. struggles for answers, she finds herself fighting enemies who are all too human.



Six years after a pandemic devastates the human population and unstoppable computer viruses have destroyed much of the world’s technology, Chris Price finally makes it from New Yo! rk to Britain to reunite with his brother. But the horrors he’s witnessed and unresolved grief over his dead wife and baby have changed him. Can he let go of his past, unlock his heart, and learn to find love again?
Six years after a pandemic devastates the human population, and the subsequent loss of much of the world's technology, Chris Price finally makes it from New York to Britain to reunite with his brother. But unresolved grief over his dead wife and baby and the horrors he witnessed as he traveled through a changed world have damaged him. He struggles to let go of his past, accept the healing kindness of those around him, and let love back into his life.


What others are saying:

"...this one stands out because it doesn't dwell on the particulars of difficult living conditions, but instead focuses on personal recovery and relationships."

"...a lovely, emotional story of loss and redemption... full of well-developed charac! ters whose journeys end in self-discovery, recovery from loss,! and lov e."

"...a book that has something for everyone."

"Buy it if you like Margaret Atwood's work or if you enjoyed One Second After by William R. Forstchen. It's that good."

Breakdown is a full-length novel of approximately 103,000 words, or 425 printed pages.

Six years after a pandemic devastates the human population, and the subsequent loss of much of the world's technology, Chris Price finally makes it from New York to Britain to reunite with his brother. But unresolved grief over his dead wife and baby and the horrors he witnessed as he traveled through a changed world have damaged him. He struggles to let go of his past, accept the healing kindness of those around him, and let love back into his life.


What others are saying:

"...this one stands out because it doesn't dwell on the particulars of difficult living conditions, but instead focuses on personal recovery and relationships."

"...a lovely, emotional ! story of loss and redemption... full of well-developed characters whose journeys end in self-discovery, recovery from loss, and love."

"...a book that has something for everyone."

"Buy it if you like Margaret Atwood's work or if you enjoyed One Second After by William R. Forstchen. It's that good."

Breakdown is a full-length novel of approximately 103,000 words, or 425 printed pages.
More and more women who are outwardly "successful" in their professions have awakened to the realization that their work is no longer positive, meaningful, or productive in their lives. Kathy Caprino's groundbreaking book sheds light on this growing epidemic of disempowerment that professional women face and offers a way out.

To help these women in crisis, "Breakdown, Breakthrough" begins where other coaching and self-help books leave off. Using a comprehensive therapeutic, coaching, behavioral and spiritual framework, it looks at the traits, characteristics, an! d patterns that contribute to these disempowerment syndromes, ! and it e xplains how women can navigate successfully through these crises.


Rabu, 11 Januari 2012

Frailty

  • DVD Details: Actors: Luke Askew, Brad Berryhill, Powers Boothe, Vincent Chase, Derk Cheetwood
  • Directors: Bill Paxton
  • Format: Anamorphic, Closed-captioned, Color, DVD, Widescreen, NTSC Region: Region 1 (U.S. and Canada only)
  • Aspect Ratio: 1.85:1; Number of discs: 1; Studio: Lions Gate
  • DVD Release Date: September 17, 2002; Run Time: 100 minutes
Fenton Meiks arrives at an FBI office with information about the God's Hands killer, a religious fanatic who thinks he is on a mission from God to rid the world of \demons" posing as humans; Fenton believes that his father and now his brother are the killers.
Genre: Horror
Rating: R
Release Date: 17-SEP-2002
Media Type: DVD"""Steeped in gloomy atmosphere, Frailty locates its horror in the tyranny of religious fanaticism. Making an assured directorial debut, actor Bill Paxton c! ostars as a Texas widower who believes God has recruited him to destroy demons in human form. Feeling divinely justified in committing a series of ax murders (discreetly unseen), he urges his two young sons to assist him in the killings--a living nightmare recalled in flashback by one of the now-adult sons (Matthew McConaughey) to the FBI agent (Powers Boothe) who's investigating the murders. But mystery is of secondary importance in Brent Hanley's cleverly twisting screenplay; Frailty suggests, with unsettling subtlety, that Paxton's mission may not be delusional, thus burdening his deadly wrath with spiritually disturbing significance. It's definitely not a feel-good film, but with celebrity endorsements by Stephen King and directors James Cameron and Sam Raimi (who both made films with Paxton), Frailty gets under the skin with insidious efficiency. --Jeff Shannon

Sky Fighters (2005) (Region 1) (US Import)

When Life's Not Working: 7 Simple Choices for a Better Tomorrow

Coco Chanel

  • Academy Award winning actress Shirley MacLaine stars as Coco Chanel in this critically acclaimed film that charts the rise of one of the most influential designers of the 20th century. From her humble childhood and early days as a young dressmaker's assistant, to her passionate love affair with a dashing Englishman and ultimate success as a pioneering fashion icon, Coco Chanel is the story of a gl
Audrey Tautou (The Da Vinci Code, Amélie) shines in this intriguing portrait of the early life of Gabrielle Bonheur Chanel, the orphan who would build a fashion empire and be known universally by her nickname, Coco. She journeys from a mundane seamstress job to boisterous cabarets to the opulent French countryside, possessing little more than her unwavering determination, unique style and visionary talent. Also starring Benoît Poelvoorde (In His Hands) and Alessandro Nivola (Junebug). Featuring lush settings and stunning costume design, Coco Before Chanel is the gripping and dramatic story of an icon who defied convention and defined the modern woman.Before she became Coco, the world-famous fashion designer, Gabrielle Chanel (Audrey Tautou in a fiercely determined performance) struggled to make ends meet. After her mother's death, her father deposited her and her sister, Adrienne (Marie Gillain), at an orphanage, where they learned to sew (and where Chanel developed a taste for monochromatic ensembles). They went on to become cabaret singers, but when Adrienne runs off with a wealthy suitor, the newly christened Coco must go it alone until she meets gentleman farmer Étienne Balsan (Benoît Poelvoorde). She lives comfortably at his chateau, but he refuses to take her out in public, so she puts her skills as a seamstress to good use and designs outfits for his lady friends, like Emilienne (Emmanuelle Devos), an actress. Chanel's sit! uation improves further when British investor Arthur "Boy" Cap! el (Ales sandro Nivola with an impeccable French accent) enters the scene. Her working-class origins present less of a problem with Capel, though the couple will have other issues with which to contend. In the meantime, he gives her the money to open her own Parisian studio, and the film ends with the tweed suit-clad Chanel of the popular imagination. Until that time, writer-director Anne Fontaine (The Girl from Monaco) presents a very different character, a woman who wasn't worldly or sophisticated, but who saw no reason why fashion--or "style," as she called it--should be complicated or uncomfortable. In transforming herself, Coco Chanel transformed an entire industry and, arguably, an entire gender. --Kathleen C. Fennessy


Stills from Coco Before Chanel (Click for larger image)








Audrey Tautou (The Da Vinci Code, Amélie) shines ! in this intriguing portrait of the early life of Gabrielle Bon! heur Cha nel, the orphan who would build a fashion empire and be known universally by her nickname, Coco. She journeys from a mundane seamstress job to boisterous cabarets to the opulent French countryside, possessing little more than her unwavering determination, unique style and visionary talent. Also starring Benoît Poelvoorde (In His Hands) and Alessandro Nivola (Junebug). Featuring lush settings and stunning costume design, Coco Before Chanel is the gripping and dramatic story of an icon who defied convention and defined the modern woman.Before she became Coco, the world-famous fashion designer, Gabrielle Chanel (Audrey Tautou in a fiercely determined performance) struggled to make ends meet. After her mother's death, her father deposited her and her sister, Adrienne (Marie Gillain), at an orphanage, where they learned to sew (and where Chanel developed a taste for monochromatic ensembles). They went on to become cabaret singers, but when Adrienne runs off ! with a wealthy suitor, the newly christened Coco must go it alone until she meets gentleman farmer Étienne Balsan (Benoît Poelvoorde). She lives comfortably at his chateau, but he refuses to take her out in public, so she puts her skills as a seamstress to good use and designs outfits for his lady friends, like Emilienne (Emmanuelle Devos), an actress. Chanel's situation improves further when British investor Arthur "Boy" Capel (Alessandro Nivola with an impeccable French accent) enters the scene. Her working-class origins present less of a problem with Capel, though the couple will have other issues with which to contend. In the meantime, he gives her the money to open her own Parisian studio, and the film ends with the tweed suit-clad Chanel of the popular imagination. Until that time, writer-director Anne Fontaine (The Girl from Monaco) presents a very different character, a woman who wasn't worldly or sophisticated, but who saw no reason why fashion--or "styl! e," as she called it--should be complicated or uncomfortable. ! In trans forming herself, Coco Chanel transformed an entire industry and, arguably, an entire gender. --Kathleen C. Fennessy


Stills from Coco Before Chanel (Click for larger image)








Academy Award winning actress Shirley MacLaine stars as Coco Chanel in this critically acclaimed film that charts the rise of one of the most influential designers of the 20th century. From her humble childhood and early days as a young dressmaker's assistant, to her passionate love affair with a dashing Englishman and ultimate success as a pioneering fashion icon, Coco Chanel is the story of a glamorous woman who was hard to love and harder to ignore. Golden Globe and Screen Actors Guild nominated, Coco Chanel is a must-see film for every lover of fashion and romance.Lovers of fashion, Paris, and love will adore Coco Chanel, a stylish biopic about the legend! ary fashion designer whose incredible vision and style would g! o on to become one of the most influential of the 20th century. And while Coco (née Gabrielle) Chanel's focus on her work was undeniable, and expertly chronicled in Coco Chanel, so, too, are her passionate loves--giving the film its depth and humanity. Shirley MacLaine shines as the older Coco, looking back at her legacy from the middle of the century, with her longtime companion and No. 1 booster, Marc Bouchier (Malcolm McDowell), at her side. MacLaine is equal parts arrogant, dismissive, and steadfast in her objective--yet just vulnerable enough to let viewers see the real woman beneath the hard exterior of international success. The stunning cast includes the Czechoslovakian-born Barbora Bobulova as the young Coco--as gamine and winsome as the young Shirley MacLaine--a determined young woman willing to work hard in a man's field and stay true to her own vision. Fashion fans will love learning the story of Chanel's rise from her poor beginnings in an orphanage to he! r hardscrabble start as a seamstress in Paris, slowly making contacts (and charming dashing young gentlemen) and insinuating her idea of elegant chic into the minds of a populace hungry for it. Chanel's conception of a fashion empire included the then-revolutionary idea of incorporating other products, like perfume; the young Coco, in creating her signature scent, said when launching Chanel No. 5, "I am sure this will be my lucky number." The DVD includes a fascinating making-of feature that shows the details of shooting on location and how the filmmakers got the period details absolutely parfait. --A.T. Hurley

Sabtu, 07 Januari 2012

The Filth and the Fury: a Sex Pistols Film

  • Candid Interviews
  • Exclusive Footage
  • Performances
  • Rehearsals
  • Recording Sessions
"Ever get the feeling you've been cheated?" sneers Johnny Rotten at the Sex Pistols' farewell performance. After seeing this picture you'll understand his disgust, but Julian Temple's sharp portrait of the ragged, raw band of working-class Brits won't leave you disappointed. The Sex Pistols left their legacy in a whirlwind 26-month reign, spitting out a caustic, confrontational brand of rock & roll that became the rallying cry for angry, disaffected youths in late 1970s England and defined the punk movement. Their story was first told two decades ago in the cynical The Great Rock and Roll Swindle, also directed by Temple but produced by the Sex Pistols' smarmy manager, Malcolm McLaren, who stage-managed the film into a self-promoting vanity project. For The Filth and the Fury, Temple! turns to the four surviving band members to tell their own stories. His vibrant, vigorous direction captures the period of social unrest and alienated youth without turning into a history lesson, and shows the Pistols in all their insolent glory: spewing obscenities and gesturing lewdly to audiences and press alike, screaming out lyrics, overcoming musical limitations with pure passion and attitude. Rare, raw concert footage (including their final performance, which is appropriately enough the song "No Fun") and previously unseen interviews with the deceased Sid Vicious further energize the portrait. There's even footage of the smiling band cutting cake for kids at a fundraiser with nary a nasty gesture or sneering comment. Now there's a side of the Pistols you don't see everyday."Ever get the feeling you've been cheated?" sneers Johnny Rotten at the Sex Pistols' farewell performance. After seeing this picture you'll understand his disgust, but Julian Temple's sharp port! rait of the ragged, raw band of working-class Brits won't lea! ve you d isappointed. The Sex Pistols left their legacy in a whirlwind 26-month reign, spitting out a caustic, confrontational brand of rock & roll that became the rallying cry for angry, disaffected youths in late 1970s England and defined the punk movement. Their story was first told two decades ago in the cynical The Great Rock and Roll Swindle, also directed by Temple but produced by the Sex Pistols' smarmy manager, Malcolm McLaren, who stage-managed the film into a self-promoting vanity project. For The Filth and the Fury, Temple turns to the four surviving band members to tell their own stories. His vibrant, vigorous direction captures the period of social unrest and alienated youth without turning into a history lesson, and shows the Pistols in all their insolent glory: spewing obscenities and gesturing lewdly to audiences and press alike, screaming out lyrics, overcoming musical limitations with pure passion and attitude. Rare, raw concert footage! (including their final performance, which is appropriately enough the song "No Fun") and previously unseen interviews with the deceased Sid Vicious further energize the portrait. There's even footage of the smiling band cutting cake for kids at a fundraiser with nary a nasty gesture or sneering comment. Now there's a side of the Pistols you don't see everyday. --Sean Axmaker"Ever get the feeling you've been cheated?" sneers Johnny Rotten at the Sex Pistols' farewell performance. After seeing this picture you'll understand his disgust, but Julian Temple's sharp portrait of the ragged, raw band of working-class Brits won't leave you disappointed. The Sex Pistols left their legacy in a whirlwind 26-month reign, spitting out a caustic, confrontational brand of rock & roll that became the rallying cry for angry, disaffected youths in late 1970s England and defined the punk movement. Their story was first told two decades ago in the cynical The Great Roc! k and Roll Swindle, also directed by Temple but produced b! y the S ex Pistols' smarmy manager, Malcolm McLaren, who stage-managed the film into a self-promoting vanity project. For The Filth and the Fury, Temple turns to the four surviving band members to tell their own stories. His vibrant, vigorous direction captures the period of social unrest and alienated youth without turning into a history lesson, and shows the Pistols in all their insolent glory: spewing obscenities and gesturing lewdly to audiences and press alike, screaming out lyrics, overcoming musical limitations with pure passion and attitude. Rare, raw concert footage (including their final performance, which is appropriately enough the song "No Fun") and previously unseen interviews with the deceased Sid Vicious further energize the portrait. There's even footage of the smiling band cutting cake for kids at a fundraiser with nary a nasty gesture or sneering comment. Now there's a side of the Pistols you don't see everyday. --Sean Axmaker"Ever get ! the feeling you've been cheated?" sneers Johnny Rotten at the Sex Pistols' farewell performance. After seeing this picture you'll understand his disgust, but Julian Temple's sharp portrait of the ragged, raw band of working-class Brits won't leave you disappointed. The Sex Pistols left their legacy in a whirlwind 26-month reign, spitting out a caustic, confrontational brand of rock & roll that became the rallying cry for angry, disaffected youths in late 1970s England and defined the punk movement. Their story was first told two decades ago in the cynical The Great Rock and Roll Swindle, also directed by Temple but produced by the Sex Pistols' smarmy manager, Malcolm McLaren, who stage-managed the film into a self-promoting vanity project. For The Filth and the Fury, Temple turns to the four surviving band members to tell their own stories. His vibrant, vigorous direction captures the period of social unrest and alienated youth without turning i! nto a history lesson, and shows the Pistols in all their inso! lent glo ry: spewing obscenities and gesturing lewdly to audiences and press alike, screaming out lyrics, overcoming musical limitations with pure passion and attitude. Rare, raw concert footage (including their final performance, which is appropriately enough the song "No Fun") and previously unseen interviews with the deceased Sid Vicious further energize the portrait. There's even footage of the smiling band cutting cake for kids at a fundraiser with nary a nasty gesture or sneering comment. Now there's a side of the Pistols you don't see everyday. --Sean Axmaker"Ever get the feeling you've been cheated?" sneers Johnny Rotten at the Sex Pistols' farewell performance. After seeing this picture you'll understand his disgust, but Julian Temple's sharp portrait of the ragged, raw band of working-class Brits won't leave you disappointed. The Sex Pistols left their legacy in a whirlwind 26-month reign, spitting out a caustic, confrontational brand of rock & roll tha! t became the rallying cry for angry, disaffected youths in late 1970s England and defined the punk movement. Their story was first told two decades ago in the cynical The Great Rock and Roll Swindle, also directed by Temple but produced by the Sex Pistols' smarmy manager, Malcolm McLaren, who stage-managed the film into a self-promoting vanity project. For The Filth and the Fury, Temple turns to the four surviving band members to tell their own stories. His vibrant, vigorous direction captures the period of social unrest and alienated youth without turning into a history lesson, and shows the Pistols in all their insolent glory: spewing obscenities and gesturing lewdly to audiences and press alike, screaming out lyrics, overcoming musical limitations with pure passion and attitude. Rare, raw concert footage (including their final performance, which is appropriately enough the song "No Fun") and previously unseen interviews with the deceased Sid V! icious further energize the portrait. There's even footage of! the smi ling band cutting cake for kids at a fundraiser with nary a nasty gesture or sneering comment. Now there's a side of the Pistols you don't see everyday. --Sean AxmakerThis documentary about the punk band The Sex Pistols sheds some light on the boys' backgrounds. It also tracks their way through the punk era while showing the band's journey from zero back to zero. With, lots of interviews and comments of folks who were involved, you'll learn a lot and love it at the same time!
  • Actors: Paul Cook, Stewart Copeland, Stephen Fisher, Bill Grundy, Billy Idol
  • Directors: Julien Temple
  • Format: Closed-captioned, Color, Dolby, Letterboxed, Widescreen, NTSC
  • Region: Region 1 (U.S. and Canada only. )
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rating:
  • Studio: New Line Home Video
  • DVD Release Date: October 10, 2000
  • Run Time: 103 minutes
  • DVD Features:
    • Available Audio Tracks: English (Dolby Digital 5.1)
    • Commentary by: director Julien ! Temple
    Size: 7 1/2" x 5 1/4" x 1"


Investigating History - Butch Cassidy & the Sundance Kid (History Channel)

  • The last bandit riders, Butch Cassidy and the Sundance Kid were America's most famous outlaws in 1900. Cassidy and his Wild Bunch robbed banks and trains along an outlaw trail from Wyoming to Colorado to Southern Utah. But with Pinkerton detectives pursuing, Butch and Sundance fled to South America. Trapped by Bolivian officers, they died in a bloody gunfight. Or did they? Was Butch reborn as
Paul Newman and Robert Redford set the standard for the "buddy film" with this box office smash set in the Old West. The Sundance Kid (Redford) is the frontier's fastest gun. His sidekick, Butch Cassidy (Newman), is always dreaming up new ways to get rich fast. If only they could blow open a baggage car without also blowing up the money-filled safe inside... Or remember that Sundance can't swim before they escape a posse by leaping off a cliff into rushing rapids... Times are changing in the west and lif! e is getting tougher. So Butch and Sundance pack their guns, don new duds, and, with Sundance's girlfriend (Katharine Ross), head down to Bolivia. Never mind that they don't speak Spanish - they'll manage somehow. A winner of four Academy Awards (including best screenplay and best song), here is a thoroughly enjoyable blend of fact and fancy done with true affection for a bygone era and featuring the two flashiest, friendliest funniest outlaws who ever called out "hands up!"This 1969 film has never lost its popularity or its unusual appeal as a star-driven Western that tinkers with the genre's conventions and comes up with something both terrifically entertaining and--typical of its period--a tad paranoid. Paul Newman plays the legendary outlaw Butch Cassidy as an eternal optimist and self-styled visionary, conjuring dreams of banks just ripe for the picking all over the world. Robert Redford is his more levelheaded partner, the sharpshooting Sundance Kid. The film, written! by William Goldman (The Princess Bride) and directed b! y George Roy Hill (The Sting), basically begins as a freewheeling story about robbing trains but soon becomes a chase as a relentless posse--always seen at a great distance like some remote authority--forces Butch and Sundance into the hills and, finally, Bolivia. Weakened a little by feel-good inclinations (a scene involving bicycle tricks and the song "Raindrops Keep Falling on My Head" is sort of Hollywood flower power), the movie maintains an interesting tautness, and the chemistry between Redford and Newman is rare. (A factoid: Newman first offered the Sundance part to Jack Lemmon.) --Tom KeoghPaul Newman and Robert Redford set the standard for the "buddy film" with this box office smash set in the Old West. The Sundance Kid (Redford) is the frontier's fastest gun. His sidekick, Butch Cassidy (Newman), is always dreaming up new ways to get rich fast. If only they could blow open a baggage car without also blowing up the money-filled safe inside... Or remember that! Sundance can't swim before they escape a posse by leaping off a cliff into rushing rapids... Times are changing in the west and life is getting tougher. So Butch and Sundance pack their guns, don new duds, and, with Sundance's girlfriend (Katharine Ross), head down to Bolivia. Never mind that they don't speak Spanish - they'll manage somehow. A winner of four Academy Awards (including best screenplay and best song), here is a thoroughly enjoyable blend of fact and fancy done with true affection for a bygone era and featuring the two flashiest, friendliest funniest outlaws who ever called out "hands up!"This 1969 film has never lost its popularity or its unusual appeal as a star-driven Western that tinkers with the genre's conventions and comes up with something both terrifically entertaining and--typical of its period--a tad paranoid. Paul Newman plays the legendary outlaw Butch Cassidy as an eternal optimist and self-styled visionary, conjuring dreams of banks just ripe f! or the picking all over the world. Robert Redford is his more ! levelhea ded partner, the sharpshooting Sundance Kid. The film, written by William Goldman (The Princess Bride) and directed by George Roy Hill (The Sting), basically begins as a freewheeling story about robbing trains but soon becomes a chase as a relentless posse--always seen at a great distance like some remote authority--forces Butch and Sundance into the hills and, finally, Bolivia. Weakened a little by feel-good inclinations (a scene involving bicycle tricks and the song "Raindrops Keep Falling on My Head" is sort of Hollywood flower power), the movie maintains an interesting tautness, and the chemistry between Redford and Newman is rare. (A factoid: Newman first offered the Sundance part to Jack Lemmon.) --Tom KeoghPaul Newman and Robert Redford set the standard for the "buddy film" with this box office smash set in the Old West. The Sundance Kid (Redford) is the frontier's fastest gun. His sidekick, Butch Cassidy (Newman), is always dreaming up new ways t! o get rich fast. If only they could blow open a baggage car without also blowing up the money-filled safe inside... Or remember that Sundance can't swim before they escape a posse by leaping off a cliff into rushing rapids... Times are changing in the west and life is getting tougher. So Butch and Sundance pack their guns, don new duds, and, with Sundance's girlfriend (Katharine Ross), head down to Bolivia. Never mind that they don't speak Spanish - they'll manage somehow. A winner of four Academy Awards (including best screenplay and best song), here is a thoroughly enjoyable blend of fact and fancy done with true affection for a bygone era and featuring the two flashiest, friendliest funniest outlaws who ever called out "hands up!"This 1969 film has never lost its popularity or its unusual appeal as a star-driven Western that tinkers with the genre's conventions and comes up with something both terrifically entertaining and--typical of its period--a tad paranoid. Paul New! man plays the legendary outlaw Butch Cassidy as an eternal opt! imist an d self-styled visionary, conjuring dreams of banks just ripe for the picking all over the world. Robert Redford is his more levelheaded partner, the sharpshooting Sundance Kid. The film, written by William Goldman (The Princess Bride) and directed by George Roy Hill (The Sting), basically begins as a freewheeling story about robbing trains but soon becomes a chase as a relentless posse--always seen at a great distance like some remote authority--forces Butch and Sundance into the hills and, finally, Bolivia. Weakened a little by feel-good inclinations (a scene involving bicycle tricks and the song "Raindrops Keep Falling on My Head" is sort of Hollywood flower power), the movie maintains an interesting tautness, and the chemistry between Redford and Newman is rare. (A factoid: Newman first offered the Sundance part to Jack Lemmon.) --Tom KeoghStudio: Tcfhe Release Date: 05/10/2011 Rating: Pg13This 1969 film has never lost its popularity or its unusual ! appeal as a star-driven Western that tinkers with the genre's conventions and comes up with something both terrifically entertaining and--typical of its period--a tad paranoid. Paul Newman plays the legendary outlaw Butch Cassidy as an eternal optimist and self-styled visionary, conjuring dreams of banks just ripe for the picking all over the world. Robert Redford is his more levelheaded partner, the sharpshooting Sundance Kid. The film, written by William Goldman (The Princess Bride) and directed by George Roy Hill (The Sting), basically begins as a freewheeling story about robbing trains but soon becomes a chase as a relentless posse--always seen at a great distance like some remote authority--forces Butch and Sundance into the hills and, finally, Bolivia. Weakened a little by feel-good inclinations (a scene involving bicycle tricks and the song "Raindrops Keep Falling on My Head" is sort of Hollywood flower power), the movie maintains an interesting tautnes! s, and the chemistry between Redford and Newman is rare. (A fa! ctoid: N ewman first offered the Sundance part to Jack Lemmon.) --Tom KeoghThis 1969 film has never lost its popularity or its unusual appeal as a star-driven Western that tinkers with the genre's conventions and comes up with something both terrifically entertaining and--typical of its period--a tad paranoid. Paul Newman plays the legendary outlaw Butch Cassidy as an eternal optimist and self-styled visionary, conjuring dreams of banks just ripe for the picking all over the world. Robert Redford is his more levelheaded partner, the sharpshooting Sundance Kid. The film, written by William Goldman (The Princess Bride) and directed by George Roy Hill (The Sting), basically begins as a freewheeling story about robbing trains but soon becomes a chase as a relentless posse--always seen at a great distance like some remote authority--forces Butch and Sundance into the hills and, finally, Bolivia. Weakened a little by feel-good inclinations (a scene involving bicycle tr! icks and the song "Raindrops Keep Falling on My Head" is sort of Hollywood flower power), the movie maintains an interesting tautness, and the chemistry between Redford and Newman is rare. (A factoid: Newman first offered the Sundance part to Jack Lemmon.) --Tom KeoghThis 1969 film has never lost its popularity or its unusual appeal as a star-driven Western that tinkers with the genre's conventions and comes up with something both terrifically entertaining and--typical of its period--a tad paranoid. Paul Newman plays the legendary outlaw Butch Cassidy as an eternal optimist and self-styled visionary, conjuring dreams of banks just ripe for the picking all over the world. Robert Redford is his more levelheaded partner, the sharpshooting Sundance Kid. The film, written by William Goldman (The Princess Bride) and directed by George Roy Hill (The Sting), basically begins as a freewheeling story about robbing trains but soon becomes a chase as a relentless p! osse--always seen at a great distance like some remote authori! ty--forc es Butch and Sundance into the hills and, finally, Bolivia. Weakened a little by feel-good inclinations (a scene involving bicycle tricks and the song "Raindrops Keep Falling on My Head" is sort of Hollywood flower power), the movie maintains an interesting tautness, and the chemistry between Redford and Newman is rare. (A factoid: Newman first offered the Sundance part to Jack Lemmon.) --Tom KeoghThe last bandit riders, Butch Cassidy and the Sundance Kid were America's most famous outlaws in 1900. Cassidy and his Wild Bunch robbed banks and trains along an outlaw trail from Wyoming to Colorado to Southern Utah. But with Pinkerton detectives pursuing, Butch and Sundance fled to South America. Trapped by Bolivian officers, they died in a bloody gunfight. Or did they? Was Butch reborn as William T. Phillips in Spokane 20 years later? Did the West's last badman escape the law in the end?
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